2012

2009

Action / Adventure

Synopsis


Uploaded By: YIFY
Downloaded 159,897 times
February 8, 2012 at 12:36 pm

Cast

John Cusack as Jackson Curtis
Thandie Newton as Laura Wilson
Chiwetel Ejiofor as Adrian Helmsley
Amanda Peet as Kate Curtis
720p 1080p
905.17 MB
1280*544
English
PG-13
English
23.976 fps
2hr 38 min
P/S 11 / 46
1.70 GB
1920*800
English
PG-13
English
23.976 fps
2hr 38 min
P/S 22 / 68

Movie Reviews

Reviewed by ridley_coppola 5 / 10

What happened to the Mayan prophecy?

I went to an advance screening of 2012 a few nights ago and I have to admit that this movie was entertaining at best and that's it. The whole movie is almost entirely comprised of special effects. Of course you'll see all of the lead characters survive scenarios that a regular human being would not. Some of the scenes are so ridiculously unbelievable that you want to laugh at the fodder that's being expected of you to believe. Emmerich certainly pushes "suspension of disbelief" to its limit.

John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.

The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.

It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.

Reviewed by shakesbeer 1 / 10

An insult to human intelligence

I was well aware that this movie would be about over-the-top action and CGI only and so I decided to shut down my brain to stand-by and direct all available blood to the eyes and ears. A technique that works perfectly for classic Bruce Willis or Arnie films giving you 2 hours of entertainment and fun. Unfortunately this time it did not work. "2012" delivers so many low blows to a homo sapiens' mind that some kind of subconscious alarm must have been triggered that woke up my brain to avoid any permanent damage. Then the real suffering began.

You don't expect to get a good script with witty dialog and good storytelling in movies like this - and you don't get it. You don't expect the best and most convincing actors in the world in movies like this - and you don't get them. Woody Harrelson being the only exception. You probably don't expect the best editing, lighting, costume designing etc. in movies like this - and you don't get them.

You DO expect overwhelming visuals in this kind of movies - you get them partially. You DO expect thrills and suspense and surprises in this kind of movies - you don't get them.

Roland Emmerich artfully manages to make watching the end of the world in monumental pictures a thoroughly boring experience. Why? Because this film never touches you in any way. The main characters remain shallow throughout the whole 158 minutes. Some are just not interesting, others are so overdrawn (Yuri, Tamara) that you just can't think of them as real people. The story does not develop and lead to something you did not expect. There is no flow. Ridiculous action scenes alternate with pathetic, kitschy good-bye talks that fail to catch you because NO actual human being would ever talk or act in the ways depicted here. There is no realism at all in virtually any scene of the film so how could you manage to connect to it?

But the worst of all is the awkward exaggeration in EVERYTHING shown on the screen. It is nice to see a nail-biting last-second escape in a movie. Seeing your main characters taking a one-in-a-million chance every ten minutes is revolting. It is an insult to your intelligence. In this respect "2012" has set a new standard. It makes all four "Indiana Jones" movies look like documentaries. Who cares for the laws of physics? Just invent new ones if it is necessary to save the hero!

Of course this is fiction and you are allowed some creativity to keep things going but there is a limit to what you can ask from the viewer to believe.

*** Spoiler*** My "favourite" scene of the movie: Our heroes are on a Russian cargo plane heading for China. The plane is piloted by one professional and a student pilot who has had a few hours on a single engine sports airplane(?). After having survived a last-second escape (see?) from the airport they are planning to get a refueling at Hawaii. Unfortunately the island has turned into a lump of molten lava and they have to continue their flight knowing they would not make it to China but go down somewhere in the open waters. The very moment they run out of fuel they discover that the Asian continent has moved 2500 kilometers in their direction(!) and they crash-land their aircraft on some elevated plain a stone's throw from the original destination! Of course there is a group of helicopters flying by only minutes later to pick them up and get them to the secret base they were heading for... *** End of Spoiler ***

And no, this is not an exception. There are numerous parts like this. It is just like I said: an insult to your intelligence.

Believe me, I could easily list at least a hundred of flaws and errors made in this movie ranging from human behavior over technical design to mathematical chances - not even regarding the constant violation of physical principles.

All in all I am convinced that it is for your own good not to spend your money on buying a ticket for this crap but find any other use for it. Burning it is a legitimate alternative. At least that would save your time.

Reviewed by Dan Franzen (dfranzen70) 2 / 10

Funniest tragedy ever

There is now a long, grand history of disaster films in Hollywood. The best of the lot have combined suspense with cutting-edge effects to keep your adrenaline pumping. The worst combine cheesy CGI with shallow characters whose deaths won't affect you much.

Here's 2012, summed up: Look, some recognizable landmark! Kablam! Look, a giant wave! Wooo! Do our intrepid Good Guys have enough time to outrun the imploding planet and foil a plot to save only the pretty, rich people? Probably! It's pretty clear what happened to bring us to this point. Roland Emmerich, who's made such cinematic classics as Independence Day, The Patriot, Godzilla, and The Day after Tomorrow, was asked if he wanted a quintillion billion bazillion dollars to make a movie about the end of the world, and he said sure. Then he took parts of each movie's script, filmed them mostly with CGI, and pocketed the rest. Viola! Greatest movie! (A quick break to sum up the plot. Apparently, the sun and the planets have all aligned with the center of the galaxy, which winds up causing the Earth's crust to break up, which then causes the tectonic plates to shift. Mass hysteria! Dogs and cats, living together! The End.) See, there are two ways Emmerich could have gone with this movie. He could have given us characters to follow whom we cared a little about, thus involving us in their plights, and mixed in some convincing special effects. Or he could have said, "The heck with the characters, give me blowy-uppy thingys." This sometimes works: See Independence Day, a movie that made me feel pretty good when I left the theater after seeing it but that ultimately, frankly, was pretty bad.

Emmerich chose the latter. Which would have been fine, but the effects themselves are wildly unrealistic and often take so long to set up that you completely notice how godawful they really are. For example – and if you've seen the trailer, this is in there – there's a scene in which the Sistine Chapel falls, crushing thousands of spectators. Because the toppling is so slow to complete, it becomes painfully obvious that it's just a film running on a screen behind people running away. Sad and unintentionally hilarious.

And you can forget about the plot, really, because most of it makes no sense anyway and would happen only in a Big Movie like this. Of COURSE John Cusack is divorced from his hot, bitchy wife (Amanda Peet) and of COURSE she's hooking up with a plastic surgeon who of COURSE winds up having had some flying lessons that of COURSE will save them all and of COURSE Cusack's young son will somehow save the day as well and of COURSE there is a Russian businessman who used to be a boxing legend and of COURSE he punches someone out. And of COURSE people say "My God!" a lot, because that's what people do in crappy disaster films. And of COURSE the president is black, because in Hollywood black people get to be president only if disaster is a-coming.

At least the acting isn't horrible. Because everyone just runs from place to place in an effort to escape the horror, there aren't any subtle, low-key scenes that would allow good actors to flourish. Cusack is good in general, but what the heck is he doing in here? He's usually so good at picking projects, and he chose this? Willingly? Oliver Platt plays the kind of role that Bruce McGill typically gets, the hamhanded, I'm-in-charge, Al-Haig-like politician. I can't even remember his title. Danny Glover gets to be president and does get the best dialog in the film, even if his role isn't a big one. Woody Harrelson, as a crazed DJ deep in Yellowstone is also a lot of fun, although he's not the kind of guy you'd want to sit next to on a transatlantic flight.

Final verdict: Yikes. Yikes, yikes, and yikes. If you dare watch this travesty, you might find yourself laughing hysterically at things – and this is important – that were not meant to be funny. If that's your thing, this is your movie. I managed to see this as a matinee, so I'm not out the $10-$15 that some people are right now, so at least I got that going for me. Best advice: Watch it for free at home on a big-screen TV to fully appreciate the magnitude of suck.

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