30 Days of Night

2007

Horror / Thriller

69
Rotten Tomatoes Critics - Rotten 51%
Rotten Tomatoes Audience - Spilled 56%
IMDb Rating 6.6

Synopsis


Uploaded By: Bokutox
Downloaded 45,344 times
August 8, 2012 at 9:59 pm

Director

Cast

Josh Hartnett as Eben Oleson
Melissa George as Stella Oleson
Danny Huston as Marlow
Ben Foster as The Stranger
720p 1080p
750.90 MB
1280*528
English
R
English
23.976 fps
1hr 53 min
P/S 10 / 48
1.50 GB
1920*800
English
R
English
23.976 fps
1hr 53 min
P/S 7 / 17

Movie Reviews

Reviewed by Thomas Plante (TJ1380@gmail.com) 9 / 10

One of the most effective horror movies I've seen in a long time

"30 Days of Night" is easily one of the best horror movies I've seen in a very long time mostly because everyone involved seemed to know exactly what it takes to make a decent horror movie. It's not obscene amounts of gore or monsters jumping out at the camera that make a movie scary. It's creepy atmosphere that makes a movie particularly scary, and this movie does a great job at creating the kind of atmosphere that fills the viewer with the kind of dread that so many movies fail to achieve. It's not perfect, but it's still better than just about every horror movie I've seen since "The Descent" (which also relied on a creepy atmosphere to fill the viewer with a sense of dread and hopelessness).

This movie is set in the small town of Barrow, Alaska, the northernmost town in the U.S. Because it is so far up north, there comes a time every winter where the sun doesn't rise for 30 days. The fact that this translates into a month without sunlight attracts a group of vampires who attack the town and spend the month feeding on its citizens. Eventually only a handful of humans remain in town, and they must survive the month without starving, freezing, or being killed by the vampires. It's a fairly simple concept, yet the director makes it work incredibly well. There is a sense of dread and hopelessness that permeates this entire film. Barrow is a town that appears to be cut off from the rest of the world. It seems to be surrounded by a sea of white on all sides, and the citizens seem to be stuck in a state of depression. Barrow seems to be the worst place in the world to be, and that's before the sun sets and the vampires show up. When the vampires do make themselves known, that sense of isolation and hopelessness turns into a feeling of dread that doesn't go away. One really gets the sense that there is no escape for the small group of survivors. This feeling is made all the more real by the long periods between the vampire attacks. Normally I consider long periods where not much happens a bad thing, but here it works in the film's favor. We may not always see the vampires, but their presence is always felt. At any given time in the movie one can see blood splattered onto snow and hear the distant screams and occasional gunfire of yet another one of Barrow's citizens getting killed, and it's easy to get the feeling that any of the main characters could be the next to die. The vampires themselves are also unlike any we've seen in movies for some time. They aren't the kind of seductive and charming vampires that seem to show up in every other horror movie. These vampires are feral, ruthless, and sadistic, with sharp crocodile-like teeth and bloodstained clothes. There's nothing romantic about them or their actions; they just want to kill people and drink their blood. It helps that they get far less screen time than the human characters; normally we only see them as shadows in the background stalking their prey. When they do attack, it's incredibly vicious and horrifyingly violent (the first large-scale attack on the town is a particular highlight of this film). This viciousness adds to the hopelessness and vulnerability of the humans while making the vampires seem like some of the scariest movie monsters to come along in a while.

If I can find any fault in this movie, it's that the ending seems a bit contrived and cliche. It doesn't take too much away from the movie though; to complain about it is really nitpicking more than anything. Overall it's one of the best horror movies I've seen in a long time, and easily the best vampire movie to come along in years. I would definitely recommend it, especially since it's a good alternative to the endless "torture porn" we've been seeing from this genre for the last few years.

Reviewed by Ray Ferraro 7 / 10

Very good film for its genre.

I had the opportunity to see this film tonight at a free screening at a theater in Chelsea, NY with the director David Spade, Melissa George and Josh Hartnett all present at the screening and I walked in expecting another run of the mill vampire movie and walked away pleasantly surprised.

It's no question that over the last 9 years the whole Vampire trend has been overdone to death. Blade spawned a sudden interest in a subject that has been around forever but hadn't been refreshed in quite some time. After Blade, enter Buffy the Vampire Slayer TV series and so on and so forth until the whole vampire trend had well worn its welcome. A few years pass and here's yet another vampire story. What makes this story any different? The graphic novel, 30 Days of Night, put together by the talented team that worked on Todd McFarlane's stunning "Hellspawn" series, Steve Niles and Ben Templesmith found a way to do something creative within the vampire realm, and its completely to do with premise.

That premise being, vampires being allowed to run amok freely in Alaska during a 30 day period when there is no sun to force them into hibernation during the day. Its simple yet fresh enough to maintain my interest, it's a wonder no one had thought to write this story until now.

What's important to note is that the story does not go into too much detail about the leading characters personal lives, nor does it go into too much detail about the vampires themselves. We don't know how they came to be and what their philosophy is (besides sucking blood) and that's a good thing, Its plunged strait into action and this lack of over characterization, actually helps to strengthen this story.

Despite the Alaska angle the film and the story itself is nothing really original. Even the vampires themselves are nothing we haven't seen before. Black trench coats and a mouthful of fangs, speaking in a foreign tongue with an evil squeal. But it's okay. I've seen it before but that doesn't mean that it's not going to make the movie any less entertaining.

Where this movie is successful is in the fact that it's handled in a very realistic way. Nothing is too over the top, Evan; Josh Hartnett's character is a believable and very human sheriff. He doesn't do anything in this movie that doesn't seem plausible, in fact the film has very little cringe moments and hardy any cheesy dialogue.

But it doesn't take itself too seriously either. It is what it is; an extremely gory movie about vampires killing people and it's thrilling, entertaining and put together very well. Its so basic that it works, not since the Decent had I seen a horror movie that succeeded in this matter by keeping the story basic and believable and not relying on cheap tricks to try and thrill the audience. Of course there's the sudden jump moments, but you don't see Even leaping over dumpsters shooting off semi-automatic weapons and spurting out one liners.

When it comes to the films performances, the supporting actors do a good job and the ever dopey and extremely untalented Josh Hartnett whom I never fail to dislike, in everything he does, somehow seemed almost likable in this movie and I don't know why, but I did like him in this roll.

Some of the shots in this movie are incredible; I can honestly say I've never seen anything like a few scenes that popped up in this movie. There's an overhead shot that spans the entire town amidst all of the chaos of the vampire attack and I can honestly say it is breathtaking.

Overall it's a very strong film for its genre, dare I say one of the best. You simply can't compare it to Citizen Cane, or the Godfather but for what it is, its very good. If you like graphic novels, liked the Decent, like horror or sci-fi. Or Vampires. You'll be pleased. Well worth it for free and if I had played would be satisfied.

Reviewed by czarnobog 10 / 10

A Breath of Fresh Bloody Air for the Vampire Legend!!

"30 Days of Night" is a very welcome addition to the ranks of vampire movies. This one is strictly for horror fans, not for doily-draped gender-confused romantics dreaming of third degree hickies from pretty fanged lovers in New Orleans.

The fun begins in the first frame, courtesy of the evocative setting, a snowbound town at the Northern edge of America. The only iffy moment comes with the introduction of Josh Hartnett as the town sheriff. Young and movie star handsome, he threatens to come off as unbelievable, like the Ben Affleck sheriff in "Phantoms." Hartnett, however, despite his young years, has the gravitas to pull off this role, and director David Slade gets masterful performances from all the fine actors in this film.

Melissa George is scrumptiously beautiful. (Her mouth is so cute it should be patented.) She's also an excellent actress, who horror fans should remember from the recent (and highly recommended) remake of The Amityville Horror. With her endearing little girl face and keen talent for playing it straight under the most fantastic of circumstances, she's likable, sympathetic and totally believable in this role.

What really sets this film apart though is its portrayal of the vampires. Someone obviously boned up on ancient vampire legends, because these are the most authentic movie vampires since Boris Karloff's "wurdalak" in Mario Bava's "Black Sabbath" 40 years ago.

Speaking in a strange Eastern European tongue (Romanian? or Hungarian?) these creatures bear the remains of human personalities, but are purely evil; cunning and vicious and blood-stained, like vampires were before Bram Stoker introduced the "new improved" (i.e. sanitized) Victorian model and Anne Rice gussied it up even more.

Fans of Kathryn Bigelow's "Near Dark" and John Carpenter's "Vampires" will appreciate the high action and body count. The story is a bit slimmer than either of those two films (it is based on a comic book, after all) but it's very atmospheric and suspenseful, with superb production values all around.

The visual efx are topnotch, especially when they're subtle, such as snowflakes adding their magical luster to a scene. The special make-up efx (blood and guts et al) are completely believable, but aside from a few very graphic images and much spilled blood in the snow, are not as overwhelming as some overly squeamish reviewers have claimed.

The cinematography is gorgeous, and is enhanced by the seamlessly integrated visual effects noted above.

If you're in the mood for a nicely paced, well-produced, superbly directed movie that'll satisfy your craving for a dose of traditional horror, you can't go wrong with this one.

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