AVP: Alien vs. Predator


Action / Adventure


Uploaded By: Gaz
Downloaded 114,927 times
August 21, 2012 at 8:35 am


Sanaa Lathan as Alexa Woods
Lance Henriksen as Charles Bishop Weyland
Raoul Bova as Sebastian de Rosa
Ewen Bremner as Graeme Miller
720p 1080p
701.10 MB
23.976 fps
1hr 41 min
P/S 11 / 41
1.60 GB
23.976 fps
1hr 41 min
P/S 21 / 62

Movie Reviews

Reviewed by MovieAddict2014 5 / 10

With its shameful rating, poor acting, awful writing and mediocre direction, 'AvP' disappoints the fans at every turn, and will probably leave non-fans feeling a little wishy-washy. Fox has taken two of thei

We don't go to see movies about dueling alien species for deep themes and intricate character development, but a little sympathy would be nice. I didn't feel any sympathy for the characters in 'Alien vs. Predator' because they were all unlikable cliches: The Heroine, The Hero, The Nerd, The Tomboy, The Gruff Leader, et al. These carbon cut out characters we've seen in hundreds of other films are all assembled together by Charles Bishop Weyland (Lance Henriksen) in 'AvP' to venture into the Antarctic, where they uncover an ancient pyramid recently discovered by Weyland's multi-million dollar satellites hovering about in space.

The movie is based, of course, upon the iconic 'Alien' and 'Predator' films – the rights to which are both owned by Fox Studios. The concept for the project originated with 'Predator 2' (1990), when a cop (played by Danny Glover) ventured into a Predator spaceship. There, in the 'trophy room,' was the distinct skull of an Alien.

This small in-joke reference (similar to that of Freddy Kruger's claw appearing in the 'Evil Dead' sequel) sparked a phenomenon of fans speculating as to the meaning behind the very brief big-screen insinuation. And due to strong requests, the two fictional species were finally united together for a string of comic books, videogames, novels and action figures in the early-'90s. By the year 2002, 'Alien vs. Predator' had become one of Fox's most profitable off-screen franchises. So, it was only reasonable to demand a film be made. By October 2003, production was underway, with sets in Prague being assembled.

And the film's director, Paul W. S. Anderson, has always excelled at set design. In 'Event Horizon' he perfectly captured the dark essence of the 'Alien' series; with 'Resident Evil' he managed to mimic the Gothic structure of all great zombie movies. But, to be honest, that's about it. He's never been any good at three other vital elements of film-making: story, characters and direction. 'Alien vs. Predator' –- a project that took 14 astonishing years to bring to the big screen (longer than 'Freddy vs. Jason') –- doesn't do much to change this.

Yes, his set design here is fantastic (it's no surprise that a great amount of pre-production work went into creating these enormous surroundings). The pyramid is buried deep within the wastelands of the Antarctic (2,000 feet, actually), which provides us with some great cinematography and stages.

The plot could have used extra work, though. After venturing deep into the pyramid, the team of scientists soon realizes that the pyramid is –- surprise, surprise! –- actually the home of an alien hive. And furthermore, a pack of teenaged Predators -- on an annual 'manhood' hunting ritual -- are there, too, and they begin to draw the humans into their fight, using them as bait.

The movie's cast is comprised of many newcomers and they are all unimpressive. Sanaa Lathan ('Out of Time'), as Alexa, the heroine, is rather annoying. Raoul Bova, playing the hero Sebastian, is the most likable of the characters, but even then, he's simply no Arnold.

Furthermore, the dialogue is completely lame. Sure, 'Predator' had lame dialogue too ('Knock, knock!') but at least it was funny and delivered with charisma. This movie unfortunately takes itself way too seriously. I've heard many people quote lines from 'Predator' over the years ('I ain't got time to bleed!' being a popular one). I can't imagine anyone ever *wanting* to quote dialogue from this film.

Even Henriksen seems like he's just in it for the paycheck. (His character, Charles 'Bishop' Weyland, is the billionaire who – according to 'Alien' mythology -- creates the Bishop androids seen in 'Aliens' and 'Alien 3,' which are modeled after his own image.) Is it any coincidence that the only returning cast member from either series of films happens to be the same actor whose career has devolved into straight-to-video duds recently?

However, kudos must be handed to "'AvP's' creature effects artists (mainly Tom Woodruff, Jr.). I had expected lots of CGI, but there are also many close-ups of the Predators and Aliens played by thankless actors in suits (and some good IL'-fashioned animatronics). Kevin Peter Hall (the original Predator) passed away shortly after the release of the film's sequel, but Anderson has comprised an acceptable team of replacements (most of the actors being some seven feet tall!).

That, and the set design, and one or two OK action sequences, makes 'AvP' adequate for 'regular' cinema-goers expecting nothing more. If you're just looking for the average Saturday night blow-'em-up action flick, you could certainly do worse. But, for any true die-hard fans of the films, this movie continually disappoints – and worst of all, due to its restrictive PG-13 rating, the fights (which take place all too often and rapidly become boring) are all over the place. We are not 'allowed' to see anything, which hinders the flow of the film. There was more violence than I had expected, but still not enough. (For the record, 'AvP' is the only film from either of the two series to ever receive an under-R rating.) After negative test screenings, Fox Studios decided to go against the will of the film's own director and brutally chop the movie apart so that it could fit into a more marketable age demographic. (So, the awkward flow in many of the sequences cannot be entirely contributed to Anderson's directing skills.) The day the official rating was released, fans across the world united online to protest it. I can't say I blame them.

I had personally been looking forward to seeing this movie for quite some time now, being a fan of both 'Alien' (1979) and 'Predator' (1987). Yet I tried to view 'AvP' unbiased, and judge it on its own terms, as a movie, and not particularly a sequel. It was a difficult task, but the truth of the matter is that the film – as a stand-alone project – is still not particularly enthralling. With its shameful rating, poor acting, awful writing and mediocre direction, 'AvP' disappoints the fans at every turn, and will probably leave non-fans feeling a little wishy-washy. Fox has taken two of their greatest franchises and turned them into a joke. 'AvP' is nothing more than typical action fare which, all considered, isn't much of a compliment at all.


Reviewed by gogoschka-1 7 / 10

Great set-design and action - terrible dialogue

Just watched it again yesterday - it's striking how good the action is compared to the ridiculous dialogue. I completely understand why this movie got such terrible reviews; after all it marked the first "let's make a quick buck" entry in a beloved franchise (or two beloved franchises, actually)and was done by a director who many felt didn't treat the material with the respect it deserved. When I watched it yesterday I got angry at times because some of the dialogue - well, most of it, actually - is truly awful. It's hard to take characters or a story seriously when nearly every sentence spoken resembles lines from a parody of cheap science-fiction and horror movies from the fifties and sixties. But despite all these flaws I have to admit I enjoyed the movie from start to finish - because of the amazing set- and creature-design and the more than decent action sequences and special effects. Whoever designed those really scored and seems to have a great love for the art of Giger and the previous films. So if you can get past the silly characters and you're able to ignore the more obvious shortcomings you're in for a fun ride. My vote: 6.5 out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

Reviewed by mentalcritic 2 / 10

Alien and Predator for Barney's primary audience...

If you give a toss about the story, stop reading. But believe me, this comment couldn't possibly ruin the film for you any more than Fox has. Spare a thought for Paul Anderson as he struggles to make a film that hasn't been neutered by the MPAA or a cowardly studio. Once Paul Verhoeven left America to resume his stellar work in Europe, I guess the MPAA had to have someone to pound upon. After moronic parents who took their single-digit-age children to see Resident Evil complained, I guess it was inevitable that future Anderson projects face an even bigger butcher's knife.

But I am getting ahead of myself here. There are two things that made the Alien and Predator franchises work. The first was human interaction. In essence, the films were about humans trying to screw each other over for power, with the titular enemy there to deliver the consequences of not working together. A non-subtle and somewhat shallow social statement, in other words. Then there's the gore factor. Once the human drama is set up, who cannot help but feel for the survivors as a marine's face is melted by Alien blood, or when a train full of commuters are torn to pieces by a Predator who doesn't fully understand what is going on around him?

AVP tries to set up the former factor with Lance Henriksen's character anxious to find the strange artefact under the polar cap before he dies. Unfortunately, where Aliens in particular excelled was that it managed to give every character a third dimension. Here, only Henriksen's character gets such effort. So every act of violence or mayhem is given a feeling of absolutely no consequence. It's almost like a video game.

Paul Anderson is on record as saying that he made the film with every intention of it being screened with the MPAA's R rating. Apparently, Fox, fearing it will alienate children, decided otherwise. Never mind that the audience which kept both franchises in the black are now either in their mid-twenties or middle-aged. Forget creativity or making something that people might enjoy. The lowest common denominator rules here. Those parents who complained when the studio didn't accommodate them because they were too stupid to realize a film based on a video game which is in turn based on Night Of The Living Dead might not be a good babysitter, I hope you are proud of yourselves. Meanwhile, if any studio wants to let Anderson make a film without tying his hands over his audience's eyes, I will gladly pay to see it multiple times. Trust me, you will make more money this way once backlash is accounted for.

AVP also marks the first Anderson film I have seen in which the shaky-cam technique is used. Here, they don't even bother to try and make their excuse that it puts the audience more into the action seem plausible. Every shaky-cam frame might as well have the phrase "we are shaking this camera to preserve our PG-13 rating" stamped across it in big, bold letters.

You may have noticed that I haven't said anything about the actual characters yet, apart from mentioning Lance Henriksen by his own name rather than that of the character. There is a reason for this. If a group of film characters became any more generic, they could all be played by the same actor. The Aliens and Predators do not fare any better. Seriously, why on Earth didn't they just base the script upon the first comic book series? These comic books showed more for the audience to get interested in with one issue than this film shows in its entire running length.

The story also shows every conceivable sign of not being thought through. The humans discover an alien temple a couple of thousand feet below the surface of a polar cap. Great, but wouldn't that mean it is basically submerged in the ocean? So when the intrepid humans decide to go and check it out, the Predators oblige them by firing a beam from Earth's orbit into said polar cap, tunneling the thousands of feet needed to find the entrance. I guess the budget cuts at NASA meant that nobody could notice the massive hulking ship above the Earth. I'm also guessing that Alien blood and armour made from Alien parts gives one special powers, such as the ability to stand below a spacecraft as it takes off without being burned by the thrust. Or did they just not see Danny Glover's race to get away from the Predators' ship at the end of Predator 2?

In short, this film insults the fans of both franchises, sci-fi action fans in general, as well as the basic principle of adults being able to watch and hear what they choose to. I strongly urge the viewing, DVD-buying public to give this film the butt, lest more be made in this kindergarten-oriented fashion. Fox, you ought to be ashamed of yourselves.

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