Babylon A.D.

2008

Action / Adventure

102
Rotten Tomatoes Critics - Rotten 6%
Rotten Tomatoes Audience - Spilled 26%
IMDb Rating 5.6

Synopsis


Uploaded By: Bokutox
Downloaded 49,037 times
August 14, 2012 at 7:15 pm

Cast

Vin Diesel as Toorop
Michelle Yeoh as Sister Rebeka
Melanie Thierry as Aurora
Lambert Wilson as Darquandier
720p 1080p
750.29 MB
1280*544
English
PG-13
English
23.976 fps
1hr 30 min
P/S 9 / 13
1.35 GB
1920*820
English
PG-13
English
23.976 fps
1hr 30 min
P/S 4 / 30

Movie Reviews

Reviewed by Michael DeZubiria (wppispam2013@gmail.com) 3 / 10

Could have been good until the studio destroyed it...

My first reaction to Babylon A.D. was that it's not nearly as bad as its own director, Matthieu Kassovitz, has been claiming it is, although that reaction came to me before I got to the end of the movie. The movie has a cool set-up and a few good action sequences, although they suffer from that all too modern symptom of having been put together by editors who must have been on some kind of amphetamines. Like so many other recent action films (Death Race, for example), the fight scenes and chase scenes and whatnot are cut together so fast that they fly by with dizzying speed, and you move on with the rest of the movie with only a vague impression of what just happened.

Vin Diesel stars as Toorop, a hardened loner of a mercenary whose latest mission is to escort a mysterious young woman from a convent in Russia to America (where he is listed as a terrorist), although like so much of the rest of the movie, we never learn why. Michelle Yeoh comes across as a bizarre casting decision for a bizarre character. She plays Sister Rebekah, Aurora's guardian. This woman I just don't get. She's Chinese and plays a kung-fu fighting nun in Russia.

She and Toorop have an immediate power struggle, and then during the mission Aurora exhibits more and more strange powers and abilities. She can feel other people's pain, she can operate old submarines, and can predict the future. The rest of the movie is basically Toorop's mission to get her to New York alive, avoiding the mysterious figures pursuing her for their own agenda, and figure out what's wrong with her along the way.

The movie moves along from one on-location set piece to the next, with action scenes and fights popping up out of nowhere and then wrapping up nicely as our heroes rush off screen to the next set. But I would argue that at least most of the action is fun along the way.

Unfortunately, I happened to have learned before watching the movie that a 160-minute version would be released in Europe, compared to the 90-minute version I just saw, and let me tell you, you can really feel the blank spots. There is, for example, a major, major plot development revealed in the third act of the movie that is so bizarre that it's almost like someone slipped in a page from a completely different movie. It comes from nowhere and goes nowhere, and adds nothing to the movie except provides a spot to slide in the ending, which leaves you with the feeling that the writer was hit by a truck or they ran out of money or just lost interest. The end is so sudden and so witless that the movie immediately transformed in my mind into an endless maze of loose ends and confusion.

There is a brief scene in the movie where Sister Rebekah explains hers and Aurora's history to Toorop, but it doesn't explain anything and doesn't really matter anyway, because the story is so clearly just a backdrop to the futuristic landscapes and the cookie cutter fight scenes, many of which are hilarious in their badness. There is one scene, for example, where the trio outrun not only a couple of what look like futuristic Stealth bombers, but also their missiles, and they do it on snowmobiles!

I don't think we ever learn the exact time period, but the futuristic element of the film is badly incoherent. New York City is jam-packed with neon advertisement, fold-out road maps are like Google Maps on paper and touch sensitive, and taxis have scrolling message boards on their sides, but Coke Zero is still around and advertising on passenger jets and the bad guys drive vintage, mint-condition 2008 Range Rovers. They must really like classic cars.

I have to say that Babylon A.D. left me with the feeling that it could have and should have been so much better than it was, and I'm guessing that was the money-hungry hand of the studio that swept away all of the good parts of the movie. I'm hoping that when Babylon DVD comes along it will include the uncut, 160-minute version that the Europeans saw, along with an explanation of why it was so badly butchered before released to American audiences. At any rate, any Director's Cut is sure to be a different movie entirely. I recommend waiting for it.

Reviewed by zerogirl42 3 / 10

Interesting Futuristic Details Stitched into a Poor Story

Wow. I didn't have high expectation, but thought I'd at least enjoy Babylon AD. I like just about anything science fiction and most B movies. Babylon AD seriously got the Homer Simpson treatment which I explain later in my review.

The setting is the world in ruins after nuclear war. Vin Diesel comes in as the anti-hero, terrorist hired to deliver a "package" to the US. Enter Michelle Yeoh as the protector and chaperone to the package. She's excellent in her role as a nun in a seemingly peaceful cult spouting lines such as, "just because we are peaceful, doesn't mean we are weak." There are some nifty special effects and enough mystery at the beginning to make me believe the film is going to get 7 stars.

Except for some futuristic technology, that's about it for the good parts of the film.

As for the bad parts, have you ever seen The Simpsons episode with Mel Gibson? The last half hour of Babylon AD is treated like Homer Simpson's version of Mr. Smith Goes to Washington. I'm not kidding. It was shockingly bad and truly follows Homer's vision.

I'm still not quite sure what point the movie was trying to make. The story becomes so muddled and the acting is so bad at times that I had no idea what was going on. About 3/4 through the movie, one of the most awkward sexual tension scenes is thrown in for the hell of it. There's no build to it and it makes absolutely no sense, which unfortunately becomes the recurring theme until the end.

Reviewed by seawalker 5 / 10

A mess

I like Vin Diesel. Even if he is not flavour of the month anymore, if he ever was, I make no apologies for that statement. I have a story I would like to share.

In 2002, after the release of "Pitch Black" and "xXx", and even though I was possibly too old to indulge in such childishness, I wrote Vin a fan letter. I expressed my admiration for his work and politely requested an autograph on a magazine, featuring Vin on the cover, that I had enclosed with a stamped addressed envelope. A month later the magazine arrived back and it had been autographed.

I have no idea if the autograph is genuine. It may well have been signed by Vin Diesel, or maybe it was just signed by somebody in Vin Diesel's office. I will never know. Do you know what? I don't care. Somebody went to the effort to send that autograph to me for that I think that Vin is sound, is cool and I give him much respect.

I just wish that Vin appeared in better movies. This brings us to "Babylon A.D.".

Good things. The presentation of the near future world in "Babylon A.D." is beautifully done. Compare and contrast the difference between the collapsing, grunge-like, shabby Eastern Bloc, with the hi-tech, neon lit New York. Very well put together. "Babylon A.D." also has a really intriguing cast (Charlotte Rampling, Mark Strong, Michelle Yeoh, Gerard Depardieu), some good action sequences and an interesting, if derivative, plot.

Bad things. "Babylon A.D." is a mess. There is evidence of extensive tampering with and shortening of the movie in the editing suite. (I read one rumour that 70 minutes had been cut from the movie, although the Director claims that this was more like 15 minutes.) The ending is absolutely awful and apparently not the one that the Director intended.

Director Mathieu Kassovitz has mostly disowned "Babylon A.D.", calling it a movie of 'pure violence and stupidity'. There is nothing wrong with cinematic 'pure violence and stupidity' as such, but I for one would like to have seen Mathieu Kassovitz's original vision. It could have been great.

Such a shame. I have always felt that Vin Diesel could have been the new Stallone, but bad choices have turned him into new Van Damme.

Still, "Babylon A.D." is currently the #2 film at the US Box Office, so what do I know?

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