Die Another Day

2002

Action / Adventure

Synopsis


Uploaded By: Gaz
Downloaded 74,633 times
December 9, 2012 at 6:33 am

Director

Cast

Pierce Brosnan as James Bond
Halle Berry as Jinx Johnson
Rosamund Pike as Miranda Frost
Toby Stephens as Gustav Graves
720p 1080p
949.24 MB
1280*528
English
PG-13
English
23.976 fps
2hr 13 min
P/S 10 / 62
1.90 GB
1920*798
English
PG-13
English
23.976 fps
2hr 13 min
P/S 11 / 48

Movie Reviews

Reviewed by bahgdadc 1 / 10

What on earth have they done to James Bond?


Come back George, all is forgiven: At lease "On Her Majesty's Secret Service" was recognizable as a Bond film. The latest installment in the franchise, the 20th installment in fact, should have been a cause for celebration. Instead, I have to rate it a solid 1, and that only because the system won't let me rate it lower. When did James Bond morph with Rambo? What happened to the wit and charm that was evident in the best of the series, films like 'Goldfinger" and "The Spy Who Loved Me"?

There is nothing in this film that feels original or fresh. And the John Woo influenced cinematics have no place in a Bond film. And what's with the use of CGI in place of real stuntmen doing the impossible, as they did in every other film? Sure, it may look "super cool" in concept, but in fact it looks fake and out of place. They didn't use CGI to make trucks act like race cars in "License To Kill".

I'm afraid that on his 40th anniversary, the cinematic James Bond is looking every bit his age, dressed up like a 70 year old hustler trying to pick up teenagers. Forget the snazzy trappings and the flashy action scenes and get back to the basics.

Reviewed by David_Frames 1 / 10

The Batman and Robin of the James Bond series

Pis*-poor, Ill-conceived, soulless, mindless, horrifying - and thats just the title track in this 40th Anniversary defunctular - proof positive that the series is in terrible terrible trouble. In fact, based on the this exercise in self-parody (even the title sounds like a parody), devoid of any new or exciting elements, it might be worth pondering whether its time for the super-spy to take a sabbatical while all concerned contemplate a wholesale reinvention of the Francaise; a full-scale rebuilding from the ground up with absolutely no return to the cut and paste methodology that rots this one from the inside out. It isn't even worth discussing the story to this anniversary entry because there isn't one but it might be worth pointing out the contrast between this and the last anniversary story The Living Daylights (1987) for therein lies the clues to what's gone wrong with 007's exploits. Whereas Dalton's film used the anniversary as a sort of reaffirmation of principles and a throw back to the series dramatic and literary roots, a new dawn if you like (and frankly even if you don't), Die Another Dies goes the other way and represents the zenith of the Pervis/Wade era of Brosnan Bonds that has seen the action and budgets scale upward while the substance has conversely dipped and with the arrival of an invisible car, evaporated. This is about a trillion miles away from the 25th anniversary Bond in which familiar elements made the odd cameo appearance - the Astin Martin for example. Here the familiar is everything - in fact its the building blocks of the story (such as it is) and the characters and, well everything really. The tone is pure fantasy - deadly lasers in space, an evil ice palace lair for the villain, Madonna etc... Characters with silly names trade puns and insipid dialogue while Brosnan goes through the motions. If it was the intention of all concerned to make a companion piece for Austin Powers then they should consider DAD a roaring success. For those of us expecting a serious Bond movie however, its a minor travesty - Bonds have been lazy before (Moonraker, naturally) but this one completes the post-Goldeneye trajectory toward total self-parody and in doing so arguably takes its place along other genre greats such as Rocky 4, Star Trek: Nemesis and Batman and Robin in the 'film that crashed the series' category. Bond films have also been looking down the business end of oblivion before but 'tis no exaggeration to say that this time the martini loving super-spy is fighting for his life. Bond is a great character but unless the powers that be start to take him seriously again and refrain from this derivative fluff, they might as well call it a day.

Reviewed by bob the moo 5 / 10

Fun but tries too hard to it's detriment


On a mission in Korea, James Bond is captured and tortured for 18 months. He is swapped with Korean agent Zao for his freedom. However M has swapped him not to save him, but because she believes Bond has cracked and is giving away information. However Bond knows there is another mole in the area and escapes to uncover what Zao is up to and to uncover his Western ally.

I looked forward to this film because I like Bond and easily get caught up in the hype. I think it is just down to the success of the formula and the fact that it feels comfortable to know you're getting a slightly different version of reliable product. For me, familiarity has yet to breed contempt in this series. I wanted to like this film more, although I did enjoy the vast majority of it. It's biggest problem is simply that it tries too hard and wants to do too much. The plot is OK and is a brave start showing our hero broken and in prison, but from there it does try and do way too much. It was good to relate the pre-credits scene to the rest of the film but the film seems restless unless it is having a major bit of plot happening - too many little twists or new bits of plot that stopped the film flowing. The plot is OK at heart but the little additions of diamonds, ice palace, weapons in space, DNA alteration, electrical suits all gets a bit much.


The film's direction is also a bit frantic. A little bit of Matrix creeping in and sudden rushing cameras etc. It isn't needed, indeed they make the cake feel over egged, like the director didn't trust himself enough to a good job and needed gimmicks etc. On top of this there are three or so cgi shots that are really poor (and I mean Mummy Returns poor). It doesn't help that the theme song is one of the worst ever but I could get past that as the action under the credits helped distract from it. The action is all good on the whole but there didn't seem enough room for them and all that plot - also everything was overdone. We don't need matrix type effects in Bond - all we need is a certain amount of flair and well designed shots etc. I sound negative but I still enjoyed this despite the weaknesses cause at the end of the day the formula still works even with the monkeying around.

One of the main reasons is Brosnan himself. he is getting better every film. He does some bad puns but never to the mocking extent of Moore and he also does the dangerous element of Connery. Even when the film starts to get silly he remains strong in the lead. Berry is wasted and is a distraction more than a good addition. From the cringe worthy first scene with Bond (trading smutty one liners) onwards she has no character worth speaking of. Her dialogue is innuendo and not lines, her acting is all in the twitch of her lips as she flirts and that's it. To look at, she does the job, but i thought we'd gotten past Bond girls that are eye-candy and nothing more. Pike is given a more frosty role and does pretty well despite being very cold when viewed beside the flirtatious Berry. Stephens hams it up as Graves. He starts well but the plot spin on his character (esp. the electric suit stuff) takes away from his credibility as a bad guy and he ends up as a cartoon type rather than a real threat. Yune on the other hand is a real good villain - a gimmick (his face) but also presence and real menace without hamming it up. I had hoped he would be the focus but alas no. Dench is good and Madsen is an interesting addition - but perhaps he wasn't the best choice for the head of NSA given the type of roles he is best known for - how many other people could only see Mr Blonde? Cleese does well as the new Q and brings his comedy into the role well, making it similar to the spirit of Q without being a copy. Madonna's cameo is as bad and as pointless as her theme song.

Overall let me stress I enjoyed this film but couldn't help but see the many flaws. It simply tries too hard in almost every area - plot, writing, action, direction. The formula is all there but it feels like they want to up the ante in every way, only at the basic level does the film feel comfortable in it's own skin and relaxes, for most of the time you'd think this was a new film desperately trying to start a franchise as opposed to a long running series.

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