Domino

2005

Action / Biography

Synopsis


Uploaded By: Bokutox
Downloaded 31,112 times
November 20, 2012 at 6:05 pm

Director

Cast

Keira Knightley as Domino Harvey
Mickey Rourke as Ed Moseby
Edgar Ramirez as Choco
Delroy Lindo as Claremont Williams
720p 1080p
850.53 MB
1280*528
English
R
English
23.976 fps
2hr 7 min
P/S 2 / 14
1.75 GB
1920*800
English
R
English
23.976 fps
2hr 7 min
P/S 4 / 9

Movie Reviews

Reviewed by fertilecelluloid 2 / 10

Still a turd no matter how hard you polish it

Tony Scott destroys anything that may have been interesting in Richard Kelly's cliched, patchy, overwrought screenplay. Domino Harvey (Kiera Knightley) was a model who dropped out and became a bounty hunter. This is her story... "sort of".

The problem with this rubbish is that there isn't much of a story at all and Scott's extreme graphic stylization of every shot acts as a distancing mechanism that makes us indifferent to everything in Harvey's chaotic life.

You just don't care about Harvey. Knightley plays her as an obnoxious, cynical brat who has done nothing to warrant our respect. She punches people she doesn't like and sheds her clothes and inhibitions when the situation calls for it, but she isn't the least bit real and Knightly isn't the least bit convincing, either.

The film is boring. It's loud, too, and shackled with one of the most annoying source music scores I've heard in a long time. The final twenty minutes are a poor re-run of Scott's "True Romance" climax with Domino's gang going to meet two sets of feuding bad guys who are -- surprise! surprise! -- destined to shoot it out with each other at the top of a Las Vegas casino.

Unfortunately, this potentially exciting conflagration is totally botched by Scott and becomes a confusing, pretentious, pointless exercise in celluloid masturbation. This is not an artistically brave or experimental piece; it is a failure on every level because it gives us no entry point to the lives and dilemmas of its characters.

Mickey Roarke looks good as a grizzled bounty hunter, but he disappears into the background as the "narrative" progresses. Chris Walken turns in another embarrassing cameo and Dabney Coleman, always solid, is underutilized.

Don't be fooled by this film's multi-layered, gimmick-ridden surface. It is still a turd no matter how hard you polish it.

Reviewed by rbverhoef (rbverhoef@hotmail.com) 6 / 10

An enjoyable mess

I liked 'Domino' even though the movie felt like a total mess. Describing the plot would be as much help to you as saying there was a beginning and an end, so I might as well just do that. I could tell you that Domino Harvey (Keire Knightley), once a model, has turned into a bounty hunter under the leadership of Ed Mosbey (Mickey Rourke). Also part of their team is Choco (Edgar Ramirez), who looks like a Latino version of Val Kilmer. The movie also involves mafia, stolen money, a man with an arm detached from his body, Ian Ziering and Brian Austin Green from 'Beverly Hills 90210' as themselves, sisters named Lashandra and Lashindra, and a Jerry Springer-sequence that could have been a comedy short on its own.

I liked all of it for multiple reasons, its energy being one of them. The movie feels like one long music video, even more than films like 'Trainspotting', 'Go' and 'The Rules of Attraction' (funny how they all deal with drugs in one way or another), but it never becomes exhausting. It is one of those films where style over substance succeeds, maybe not in great way, but simply in a way. I also liked it for the actors. Keira Knightley is convincing as a tough girl, even more admirable after just seeing her as a naughty but delicate girl in 'Pride & Prejudice'. Mickey Rourke is back with extraordinary performance in films such as 'Spun', 'Once Upon a Time in Mexico', 'Sin City', and now 'Domino'. Not only them, but also Ramirez, Delroy Lindo, Tom Waits and especially Christopher Walken (as the producer of a reality show the team is doing) give the movie something extra to enjoy. It is exactly what this movie is, enjoyable.

Reviewed by dlahiff 8 / 10

Tony Scott's Postmodern Masterpiece

" Domino " has been widely condemned on this site for its frenetic editing style and " sickening " photography. It's detractors cite its superficiality and criticize its deployment of " style over substance" I couldn't disagree more. I believe that " Domino " represents the absolute height of Tony Scott's film-making career.

After having created the dominant Hollywood action movie style throughout the late eighties and early nineties Tony Scott has moved progressively closer to a more subjective style of cinema. As early as "Crimson Tide" Scott used his stylistic talent to portray the inner worlds of his characters- the claustrophobia and drama inherent in the conflict on board a nuclear submarine was embodied in the excellent use of long lenses combined with dutched-angle framing. This was then carried through to " Enemy Of The State" and "Spy Game" which visually represented the worlds of surveillance and espionage respectively.

" Man On Fire" was an extreme departure , a move into an expressionist more painterly aesthetic. Here Scott used an antiquated hand cranked camera and flash frames to express his character's explosive rage . Although not entirely successful it introduced the techniques which were to find their full expression in " Domino"

Couched in the framing device of an FBI interrogation " Domino" presents the life of the infamous bounty hunter via her narrated disjointed fragments of memory. She grasps at memories as we all do- in fragments, flashes and brief snatches. As Domino relays her story verbally Scott relays it visually illustrating not only the events which she describes but also the point of view which guides them. She does have " traces of mescaline" in her system but her individual vision is anyway Unusual -that of an woman who eschewed the life of luxury for bounty hunting.

It is when Domino begins to relate the events which lead to her captivity that Scott really lets rip. Together with Cinematographer Dan Mindel and composer Harry-Gregson Williams Scott orchestrates a postmodern canvas of contemporary Americana. Gradually we begin to realize that unusual though she may be Domino is no more disjointed than the "90210" culture she has rejected. As she wades through this cultural melange Scott makes his viewer more aware of the innocence which it destroys through the underprivileged children which the narrative introduces. Ultimately Scott portrays their salvation as the only escape we have from this surreal trip.

To criticize this movie for being overly stylized is akin to criticizing a Picasso or a Pollock for not representing that which is recognizably human. Like any great painting the meaning in " Domino" is in the surface and the surface is everything.

I am not in any way associated with Scott Free but have always been and will continue to be a huge admirer of Tony Scott's work

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