Dredd

2012

Action / Sci-Fi

631
IMDb Rating 7.0

Synopsis


Uploaded By: Bokutox
Downloaded 209,299 times
December 25, 2012 at 9:55 pm

Director

Cast

Karl Urban as Judge Dredd
Olivia Thirlby as Anderson
Lena Headey as Ma-Ma
Rachel Wood as Control Operator 1
720p 1080p 3D
650.92 MB
1280*536
English
R
English
23.976 fps
1hr 35 min
P/S 19 / 46
1.50 GB
1920*800
English
R
English
23.976 fps
1hr 35 min
P/S 9 / 56
1.60 GB
1920*1080
English
R
English
23.976 fps
1hr 35 min
P/S 5 / 13

Movie Reviews

Reviewed by alan_holloway_2 8 / 10

A Superior Action Movie

The basic aim of Dredd is simple – it needs to be bold, true to the source material and full of juicy violence, enough to wipe out the memories of the notoriously poor Stallone attempt of 1995 that threw plenty of money at the screen without bothering to work on anything resembling a decent script.

The character of Judge Dredd, now entering his 35th year in UK comic 2000AD (they know it's 2012 - don't ask), isn't a complicated one. He is, as he is fond of stating, the law. The time is the future, and amidst the wasteland that is America there is a single, massive city with 800 million inhabitants, appropriately called Mega City One. It's quite the scumhole, and the only thing that stands between it and total chaos are the Judges, trained for years to be the ultimate in law enforcement, yet so outnumbered they can only handle 6% of the crimes committed. This, people, is as thin as the blue line gets.

The film is written by long time fan Alex Garland (28 Days later, Sunshine), and has had plenty of input from Dredd's creator (and still main writer even now) John Wagner. Filmed in South Africa on what passes for a tight budget these days (especially for Sci-Fi), it could be compared to District 9 in terms of the sheer effort put into it, with a result that is similarly impressive although aesthetically miles apart. Director Pete Travis (Endgame) does an excellent job, and between them they have turned in a film that will stand the test of time as a superior, adult action movie.

The premise is reasonably simple, something that works well as an introduction to what is, in the comics at least, a sprawling future world. Dredd is accompanied on patrol by rookie Judge Anderson, very well played by Olivia Thirlby, who is on the verge of failing her final assessment but is being given a second chance because of her powerful, and rare, psi abilities. A routine triple homicide (it's that sort of city) turns into a siege when they are trapped in a massive tower block by criminal nutjob Ma Ma (Lena Headey) and forced to fight their way out and stop her manufacturing the addictive new drug, Slo Mo. Obviously there's a bit more to it than that, but this is the basic set up and it works very well indeed, allowing for plenty of violence, some character development and no few explosions.

I can't write this review without focusing on Karl Urban, who has previously stood out for his excellent turn as Dr McCoy in the Star Trek revival. Not afraid to go through an entire movie with a helmet on, he is spot on as Dredd. He gives us an emotionless machine, a man who cares for nothing but the law, but a man you want to get behind and cheer on as he splats bad guys left right and centre. The humanity comes from Anderson, and it helps that Thirlby doesn't have to wear a helmet herself, with the handy excuse that it interferes with her psi abilities. Between them they give us the tired old wardog and the 21 year old rookie on the streets for the first time, and you sympathise with the life of a Mega City Judge.

Some people have criticized the apparent similarities between Dredd and the recent film The Raid: Redemption, in which Indonesian cops storm a tower block and much chop sockey ensues. To be honest, I was a little worried myself, but having seen both films I can happily confirm that they are nothing alike. Whilst The Raid is a pretty intense martial arts film which is rather dull between fights (although the fights are awesome), Dredd is a tight film all the way through, with the plot more than an excuse to go from fight to fight.

In conclusion, I can heartily recommend this film, in case you hadn't guessed. It's sort of like a cross between Robocop and Die Hard, all moderned up and with better music. It's no coincidence that those are two of the most kick ass action films ever, and Dredd borrows from the best, although as Robocop stole from Dredd in the first place it's more like recovering pinched property. The 3D is actually worth shelling out for, and there are some beautiful sequences where it comes into it's own, whilst the film itself is gritty and dirty, although not without a few lighter moments amidst the carnage. The humour in Dredd's comic strips comes from the city around him rather than his own actions, and here's hoping we'll see Alex Garland penning a sequel that allows us to wander through Dredd's world. Quite simply a superior action film, and whilst it's no masterpiece (then again, it's not supposed to be) it's as good as fans could ever have hoped. Here's to the sequels…

Reviewed by Rekaert 8 / 10

Blistering, Bleak and Bloody

At a time when emotionally fragile heroes are fashionable, where they have unrequited love, where each carries some heavy baggage from their past so an audience can empathise with them, we have Dredd.

Dredd is none of these things. He's a tightly wound coil of anger and purpose wrapped in the trappings of totalitarian law enforcement from a dystopian city that is simmering under crime and filth. In a city so sprawling, and with a population that seems intent on devouring itself if left unchecked, the Judges can only respond to a fraction of crime, and no time is spent on unnecessary bureaucracy. Due process is a barely remembered dream.

Broken the law? Sentence them. Resisting? Shoot them. Need answers? Beat them to a pulp or take them in for extended interrogation, and all without a glimmer of sympathy from behind that opaque visor. He's a libertarian's worst nightmare who will break you if the Law requires it.

Urban does a tremendous job without ever removing the iconic helmet that is so loved by the fans of the 'comic' character. He is completely uncompromising. No action-film trope one-liners here. The nearest he offers are caustic comments of derision when people stray from his personal standards, usually before breaking bones or blasting large colourful chunks off perpetrators.

Clearly in need of an emotionally accessible character for the audience to identify with, we have rookie Judge Anderson, a psychic mutant who is put through the ringer by Dredd on her 'make-or-break' assessment. Thirlby also does a great job here and certainly has the most growth over the course of the film. Beneath the cold appraising glare of Dredd, she evolves under that pressure in a very satisfying way. This is a role that Dredd has played several times in the comic, and is widely known as having the strictest standards for what passes for a Judge, but also for producing some of the city's finest.

Here is a source of genius for some, a source of disappointment for others. The film does not aim high in terms of blockbuster material, but instead elects to tell a very focused, character driven story - a day in the life of a Judge tale that will have you thankful you don't have to walk in their shoes.

What follows is a harsh look into a world where, frankly, you would not want to live. If there is a hell on earth, then Mega City 1 is most certainly it. A futuristic version of New York crossed with Mogadishu with all the negative connotations those connections infer, and remarkably few of the positives.

Unemployment is a rampant plague that feeds the city's crime. The sky is littered with Justice Department surveillance drones and infractions for crime, if you're unlucky enough to be spotted, are harshly dealt with.

Many film-makers would have flinched at making such a movie incorporating such clear violence and obvious fascism, and tried to soften the blow with lashings of humour, but no such intellectual dishonesty here. The result is an extremely violent, often times bleak adaptation of a comic character that was always more violent than its peers to begin with.

Deservedly adult in rating, Dredd offers a punishing ride, equally violent, beautiful and horrible, and often at the same time.

For the uninitiated; this is the perfect entry film and offers a fantastic time for fans of violent crime thrillers.

For long-time fans; Dredd has finally arrived on screen.

Reviewed by Lugodoc 10 / 10

Perfect Dredd

I'm a huge fan of the comic 2000AD and the character Judge Dredd since 1979, and this film completely satisfied me. They changed all the right things and kept all the right things. Director Pete Travis tackled the problem of filming a comic book by making something that looks nothing like a comic book and more like an action movie shot on location, with a simple linear plot that keeps rolling and never slows down.

Megacity 1 is made markedly less futuristic than the comic in order to become so believable that it is hard to tell where the real slums of Cape Town end and the CGI kilometre high city blocks start. I have an uncomfortable feeling that in less than a hundred years cities like this may actually exist.

The comic Judge's uniform works on paper but can't in real life - giant golden eagles, shoulder pads and bronze name badges hanging off a leather one-piece body suit would sag, wobble and look daft. The movie gives us body armour that looks like it actually gets used whilst keeping the helmet exactly the same. The effect is striking and believable, like everything else in this film.

The plot revolves around a drug which makes time seem to slow down a hundred times, the perfect excuse for scenes of ultra slo-mo explosive bloody (and beautiful) anatomically correct violence that earn this film its 18 rating. Not a kid's movie at all. Every supporting actor looks like they came out of a gang documentary, scarred, nasty, sweaty and mean. Lena Headey totally kicks ass as the ruthless gang lord Ma Ma, calmly relishing the deaths of her enemies, eyes sledging from narcotic addiction.

In a way this is Olivia Thirlby's movie, since she gets the character arc, rookie judge Cassandra Anderson assigned to Dredd for evaluation and finding herself on a very steep learning curve. She is vulnerable, spikey and tough as called for, vital to the movie in order to balance Dredd.

How do you play Dredd? He is the opposite of a character. He has no personal arc, never changes or grows. He has no sense of humour, the comic finds that by placing utterly deadpan 'ol stony- face in ironic situations that reflect off him. And where do you find an actor prepared to wear a helmet obscuring everything but his mouth and chin for the whole 95 minutes? Karl Urban must be a huge fan himself to play the part so right. One reviewer described his performance as "ego-free" and it is. I didn't see Urban anywhere in this movie, all I saw was Dredd.

Me and Dredd-heads everywhere thank you Karl. You smashed it.

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