Lawrence of Arabia

1962

Adventure / Biography

Synopsis


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Downloaded 88,755 times
September 10, 2011 at 2:29 am

Director

Cast

Peter O'Toole as T.E. Lawrence
Alec Guinness as Prince Feisal
Anthony Quinn as Auda Abu Tayi
Jack Hawkins as General Allenby
720p
694.62 MB
1280*688
English
PG
English
25.000 fps
3hr 47 min
P/S 28 / 85

Movie Reviews

Reviewed by iain_connell 10 / 10

Still my personal favourite

I first saw this film on its release, aged 13, and it forms an important part of my transition towards adulthood. I am pleased to see that it consistently rates 20something in the IMDb listings, even from others (whom I envy, for I can't see it with fresh eyes) who are seeing it for the first time. Pleasing too is that some of those are also teenagers, for whom a forty-three year old film must itself seem part of the past. As for the minority who are bored by intentionally slow pacing (and for whom punctuation, paragraphing and grammar are a lost art), I suggest they learn a little about the history of film-making (from which it may become apparent that much of today's fast editing techniques were invented in the 1920s: try Eisenstein's October, for example).

From the universally admired cinematography of Freddie Young, the long shot of Omar Sharif's floating mirage entry, the pre-CGI battles and pan-up scene changes, to O'Toole's florid but career-defining performance and the (then) novel time-shift narrative, this film set standards not matched even by Lean himself, and, as many reviewers have commented, financially and practically unlikely to be attempted today. I too have rarely seen such clarity of image outside of Imax, and in my view the script by Robert Bolt (and I now have learnt, an uncredited Michael Wilson) is the finest in cinema. Maurice Jarre's music and some of the acting style now seem a little excessive, but repeated viewing (around 35 times in my case) does not diminish the impact and quality, and the restoration and now DVD release still, after all these years, approaches the effect of that first 1962 viewing.

It is rare that repeated watching of a film (as opposed to a live performance) does this, and the reasons go beyond the photography, performances and editing. In my opinion, it is because the characterisation and storytelling encourage an appreciation of the ambiguity and inconsistency behind our motives and behaviour, and, in a wartime scenario, in the contrast between political expedience and personal morality. For a 13-year old, this opened a window into the adult world, and it explains why the story has resonance far beyond its setting. The film doesn't require an understanding of middle-east politics (though it does have some very current relevance), but it does require an ability to look, listen and understand. The fact that so many people rate it so highly says everything about its wider impact. When The Matrix and even Lord of the Rings have slipped out of the ratings (and the adolescents who inhabit these pages have grown up), I believe this film will still be in the 20s or 30s, perhaps enabling young people to once again see the world through adult eyes.

Like Ali, I fear Lawrence. I fear the power of art to change us, to challenge our preconceptions. Every time I see this film I learn a little more, discover something new. When I was 13 I didn't understand much, but this film helped me to see that I wanted more, knew more, than my peers. I can't rate it more highly than that.

Reviewed by rbhagwat 10 / 10

Review-proof

I first saw this movie on a scratchy VHS almost twenty years ago (I was 10). Liked it (sort of-enjoyed the battle scenes and the train blowing up), but didn't understand why my dad was so crazy about it.

The next time was on laserdisc (remember those?) almost 10 years ago and I was hooked. I finally got it - the conflict, the performances, the music, the dialogue - all mesmerising.

But it was only in 2002, when I saw the 40th-anniversary reissue on 70mm that I was completely blown away seeing the scale, the enormity of Lean's accomplishment. There were scenes that gave me goosepimples (the opening credits, the cut from the matchstick to the desert sunrise, "nothing is written" - others too numerous to mention).

The point of this rather rambling review is this - a movie that can evoke such passion in its admirers stands by itself, beyond reviews or criticism. If you haven't seen it yet I envy you, because you get to experience it for the first time.

Reviewed by poofta1970 10 / 10

I am totally gobsmacked!


I am totally amazed by some of the negative responses to this film. Yes it is a long film; a very long film. Perhaps this is a symptom of the short attention spans of people today. But you know what? I wish it was 3 or 4 times longer. Every time this film finishes I compare it to the badly acted special effects laden rubbish that passes for 'epic' cinema these days and wish that T.E Lawrence had his motorcycle accident at 93 (rather than 47 as he did in 1935) so I could have had more of Peter O' Toole's electrifying performance.

The cinematography is acknowledged as being some of the the best in any film ever. When Mr Lean wanted to capture a sun rise, he stood in the dark (in a REAL desert) and waited for the sun to REALLY rise (No computerized nonsense in this film). As for the reviewer who thought Lawrence looked like a homosexual because he had a 'effeminate' walk, well ... I can only hope that one day he joins the 21st century; hero's aren't all musclebound apes, leaders aren't all fluffy paragons of virtue, and so what if he did turn out to be homosexual?

If you and you dad like watching a man being whipped before being violated there is, I believe, a wealth of material available to cater for your taste at your local pornography shop.

In my opinion its one of the best films ever made and certainly the best film I've seen based on real events.

Forget the length feel the quality.

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