Lovelace

2013

Biography / Drama

Synopsis


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October 13, 2013 at 8:54 am

Cast

James Franco as Hugh Hefner
Juno Temple as Patsy
720p 1080p
754.50 MB
1280*694
English
R
23.976 fps
1hr 33 min
P/S 4 / 36
1.44 GB
1920*1040
English
R
23.976 fps
1hr 33 min
P/S 11 / 34

Movie Reviews

Reviewed by Unknown 3 / 10

A Film Begging To Not Be Made

The brilliantly structured "Lovelace" is two films. Neither is satisfying.

The comedic first third is a polished turd showcasing Linda's glitzy rise to fame as the star of "Deep Throat." The film then takes a very hard one-eighty to become the grim tale of a battered (and far worse) wife literally dragged kicking and screaming to a porn set.

"Deep Throat" was the first porn film to crossover to polite society from the perv-in-raincoat crowd (though the latter showed up in droves as well). In "Deep Throat," unfulfilled Linda Lovelace searches in vain for sexual satisfaction until a Doctor discovers her clitoris has migrated to the back of her throat leaving one method to achieve orgasm. In "Lovelace," Linda searches for herself. The tight audio montage at the film's open asks many questions about her.

Who is Linda Lovelace? Offspring of a harsh, domineering disciplinarian mother and uncaring, absent father. (An offscreen pregnancy drives the family from the Bronx to Florida.) A naive and sexually repressed young woman opened by an abusive husband. A porn star bearing the standard of the sexual revolution. A middle class mom who desires setting the record straight through the autobiography, "Ordeal." Or an advocate battling domestic violence.

Amanda Seyfried bares all, but is as flat as month old soda in the title role. Sarsgaard semi-phones in his performance as Chuck, Linda's scumbag husband. The film is peppered with cameos from Sharon Stone to Eric Roberts and the venerable Debi Mazar. Their appearances add little to the proceedings.

The resulting film, given the incendiary topic, is politically correct, sleepy, excessively loose and ineffectual. As portrayed, after being released from Chuck's oily grasp by a porn Producer, Linda continues to ooze unhappiness to a denouement that's a half-hearted reunion with mortified parents.

Though a worthy topic, the treatment of abuse is didactic and heavy handed: a path to collar pulling and discomfort.

Factually, the real Lovelace (nee Boreman) heavily promoted "Deep Throat," denied performing in several bestiality and humiliation films until they were produced to jog her memory, posed in "Playboy," and was categorized as, "a sexual 'super freak' who had no boundaries and was a pathological liar." There's also a psychologist's view she suffered from PTSD.

"Lovelace" fails to answer the questions posed at the film's open. They may be too difficult to be answered. Linda may just be that complex. Or slippery.

Given the documentary "Inside Deep Throat" and a plethora of other films and books, there's little reason for "Lovelace" to exist - at least in this sanitized form. Linda was a victim, but here the viewers are victimized by the filmmakers. Now you know how Linda (allegedly) felt.

Reviewed by Trentflix 7 / 10

Compelling indictment of marital abuse. Sundance 2013

I attended Lovelace at Sundance not knowing too much about the story of Linda Lovelace. Linda Lovelace is the most famous pornography star of all time because of the film Deep Throat (1972) which became wildly popular with mainstream audiences and brought pornography into popular culture. More than an indictment of the pornography business, this film is an indictment and expose on spousal abuse. Linda married young and was sexually and physically abused by her husband throughout her marriage. She was forced into doing these films and acts. She eventually found the courage to leave her husband and wrote a tell-all which is what this movie is based on.

The way this story was structured keeps it interesting and revelatory, and tonally the film is in accordance with her life. Things start off happy and there are lots of funny moments but soon enough things take a turn for the worse and that is where the true drama ensues.

Amanda Seyfried may not seem like the right choice for the role but she handles herself and the material with ease. She does a fabulous job evoking a wide range of emotions and brings her performance to a previously unseen level (at least, from what I've seen of hers). Peter Sarsgaard naturally exudes kindness and charm, we are seduced by it as she is, yet when the time calls for it he is rightly overpowering and terrifying.

Directors Rob Epstein and Jeffrey Friedman started off making documentaries that were both important and compelling. They made the switch to traditional narrative films with Howl which showcased their talent but Lovelace is further proof that they are multi-talented and continuing to grow in skill.

The film does leave out a few things, most likely for the sake of the narrative, Linda was forced to participate in several short pornography loops before she appeared in Deep Throat, including a bestiality film. She also made two movies after Deep Throat (including Deep Throat II).

The film has instant notoriety for its connection to Deep Throat and hopefully this will drive a bigger audience to it but it will likely gain some controversy as well for its association (in fact there was a small group protesting it at the premiere which is utterly ridiculous). I hope this film gets a large audience as marital abuse in its many forms is far too common a problem and needs to be brought to the forefront of discussion.

Reviewed by D_Burke 6 / 10

For All Its Acting Strengths, "Lovelace" Should Have Gone Deeper

It is debatable what differentiates a great film biography from the rest. Arguably, a great biopic embraces the complexities of a person's life while using storytelling to organize such intricacies. It makes the film's subject all the more intriguing.

Poor and mediocre biopics either become blatantly overwhelmed by a life's complications, or ignore them altogether. Unfortunately, "Lovelace" chooses to ignore, and consequently misses greatness.

The woman who was born Linda Susan Boreman, and would later be better known by her stage name, Linda Lovelace, lived a very complicated, and devastatingly sad, life. This film centers on the real life Lovelace's claims of being used and abused by her first husband, Chuck Traynor, and being browbeaten into the pornography industry.

Lovelace's allegations of spousal abuse have been disputed by some, and supported by others who knew her personally, but that's beside the point. The film was right in basing its narrative solely on Lovelace's side of the story, not getting bogged down by antipathetic discrepancies. Still, there were crucial parts of her life the movie should not have left out.

For instance, "Lovelace" strongly implies that "Deep Throat" was Lovelace's first pornographic film (untrue) and her last (also untrue). It doesn't mention a stag film in which she engages in bestiality with a dog.

In one of her four books (yes, she wrote four books), she claimed that Traynor forced her to act in such movies, which would have made a good case in this movie for how controlling Traynor was. After all, having sex with a dog, especially on camera, is not an action in which most would engage willingly.

I could go on about relevant moments of the real Lovelace's life that this movie chose to ignore. However, the primary faults of "Lovelace" lie not in what they left out, but in a questionable storytelling structure where the filmmakers obviously tried to be too clever in their narrative.

Basically, the first half of the film chronicles a 21-year-old, naive Linda Boreman (Amanda Seyfried) who lives with her strict, Catholic parents (Robert Patrick and a shockingly deglamorized, unrecognizable Sharon Stone) in Florida. A charismatic, 27-year-old Chuck Traynor (Peter Sarsgaard) spots Linda at a rollerskating rink and begins dating her.

While Traynor claims to own a bar and restaurant, young Linda doesn't realize he dabbles in prostitution until after they are married, and she bails him out of jail. Eventually, Traynor coerces her into performing sexual acts on complete strangers for money before taking her to audition for pornographic movies.

From here, the film chronicles the making of the notorious "Deep Throat", the rise of Linda Lovelace, and does more than hint at the unexpected cultural impact the film creates.

Halfway through, the film makes the mistake of jumping ahead six years later (I guess circa 1980), and showing a visibly disheveled Linda taking a lie detector test administered by a publisher (Eric Roberts) in order to assess the validity of her marital abuse claims in her new autobiography, "Ordeal". The film then jumps back 8 or 9 years to show many of the same scenes over again, except adding footage at the end of each scene actually showing Traynor physically and sexually abusing Linda.

Why go back and show these scenes? The lie detector scene would have made a good narrative framework, especially since you see Amanda Seyfried look so shockingly worn down. This is not the same doe- eyed, blonde hottie from "Mamma Mia" (2008), or at least it doesn't look like her.

The point is, though, that going back and retreading all the scenes feels like a waste of time. Considering the film's running time of 93 minutes, there is no excuse for retread, especially considering Sarah Jessica Parker's well-publicized cameo as Gloria Steinem was cut out of the film altogether.

However, casting was the film's main strength, which I initially thought would be its weakness. I had my doubts about Seyfried portraying Lovelace, considering that Seyfried is exceptionally gorgeous, and the real Linda Lovelace was (Is there any way to say this nicely?) not even close. Listing actresses in this review who bear a stronger resemblance to the doomed porn starlet would probably be insulting to them.

While Seyfried donned a shaggy brunette hairstyle and freckles to deglamorize herself, she still looked a lot prettier than Lovelace on her best day. Scenes such as low-level mobster Butchie Periano (Bobby Cannavale) arguing that she is not attractive enough for the porno he is financing appear consequently more dubious.

Still, Seyfried did well with what she was given. Her best scenes include the lie-detection test, a surprisingly touching moment with an unexpectedly cordial publicity photographer (Wes Bentley), and her begging her emotionally cold mother for asylum from her abusive husband. Another scene where she is raped by five men at Traynor's behest shows little, but is still hard to watch.

While Peter Sarsgaard is effectively charismatic as Chuck Traynor, he wasn't convincing enough during the abuse scenes. Every time he threw Seyfried around, his face looked as though he would apologize to her right after the directors yelled "Cut!".

Sharon Stone, as Dorothy Boreman, had the movie's best performance, and not just because she is indistinguishable from her more glamorous roles. The scene where she does anything but console a visibly frightened Seyfried makes her eerily believable, and surprisingly multifaceted.

While the performances were well done, and "Lovelace" successfully shied away from exploitation, it suffered from fractured storytelling, awkward editing, and the vague epilogue implying that Lovelace's life only improved before her untimely death in 2002 in a car crash. If you watch the insightful documentary "Inside Deep Throat" (2005), or read Joe Bob Briggs' excellent, astute retrospective on her life (http://old.nationalreview.com/comment/comment-briggs042502.asp), you'll get a far more accurate, and grimmer, account of her life after pornography. It's sad, dismal, and, as "Lovelace" proves, a story Hollywood still does not want to tell.

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