Biography / Drama

Rotten Tomatoes Critics - Rotten 54%
Rotten Tomatoes Audience - Spilled 36%
IMDb Rating 6.2


Uploaded By: YIFY
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October 13, 2013 at 8:54 am


James Franco as Hugh Hefner
Juno Temple as Patsy
720p 1080p
754.50 MB
23.976 fps
1hr 33 min
P/S 7 / 35
1.44 GB
23.976 fps
1hr 33 min
P/S 9 / 22

Movie Reviews

Reviewed by Unknown 3 / 10

A Film Begging To Not Be Made

The brilliantly structured "Lovelace" is two films. Neither is satisfying.

The comedic first third is a polished turd showcasing Linda's glitzy rise to fame as the star of "Deep Throat." The film then takes a very hard one-eighty to become the grim tale of a battered (and far worse) wife literally dragged kicking and screaming to a porn set.

"Deep Throat" was the first porn film to crossover to polite society from the perv-in-raincoat crowd (though the latter showed up in droves as well). In "Deep Throat," unfulfilled Linda Lovelace searches in vain for sexual satisfaction until a Doctor discovers her clitoris has migrated to the back of her throat leaving one method to achieve orgasm. In "Lovelace," Linda searches for herself. The tight audio montage at the film's open asks many questions about her.

Who is Linda Lovelace? Offspring of a harsh, domineering disciplinarian mother and uncaring, absent father. (An offscreen pregnancy drives the family from the Bronx to Florida.) A naive and sexually repressed young woman opened by an abusive husband. A porn star bearing the standard of the sexual revolution. A middle class mom who desires setting the record straight through the autobiography, "Ordeal." Or an advocate battling domestic violence.

Amanda Seyfried bares all, but is as flat as month old soda in the title role. Sarsgaard semi-phones in his performance as Chuck, Linda's scumbag husband. The film is peppered with cameos from Sharon Stone to Eric Roberts and the venerable Debi Mazar. Their appearances add little to the proceedings.

The resulting film, given the incendiary topic, is politically correct, sleepy, excessively loose and ineffectual. As portrayed, after being released from Chuck's oily grasp by a porn Producer, Linda continues to ooze unhappiness to a denouement that's a half-hearted reunion with mortified parents.

Though a worthy topic, the treatment of abuse is didactic and heavy handed: a path to collar pulling and discomfort.

Factually, the real Lovelace (nee Boreman) heavily promoted "Deep Throat," denied performing in several bestiality and humiliation films until they were produced to jog her memory, posed in "Playboy," and was categorized as, "a sexual 'super freak' who had no boundaries and was a pathological liar." There's also a psychologist's view she suffered from PTSD.

"Lovelace" fails to answer the questions posed at the film's open. They may be too difficult to be answered. Linda may just be that complex. Or slippery.

Given the documentary "Inside Deep Throat" and a plethora of other films and books, there's little reason for "Lovelace" to exist - at least in this sanitized form. Linda was a victim, but here the viewers are victimized by the filmmakers. Now you know how Linda (allegedly) felt.

Reviewed by Trentflix 7 / 10

Compelling indictment of marital abuse. Sundance 2013

I attended Lovelace at Sundance not knowing too much about the story of Linda Lovelace. Linda Lovelace is the most famous pornography star of all time because of the film Deep Throat (1972) which became wildly popular with mainstream audiences and brought pornography into popular culture. More than an indictment of the pornography business, this film is an indictment and expose on spousal abuse. Linda married young and was sexually and physically abused by her husband throughout her marriage. She was forced into doing these films and acts. She eventually found the courage to leave her husband and wrote a tell-all which is what this movie is based on.

The way this story was structured keeps it interesting and revelatory, and tonally the film is in accordance with her life. Things start off happy and there are lots of funny moments but soon enough things take a turn for the worse and that is where the true drama ensues.

Amanda Seyfried may not seem like the right choice for the role but she handles herself and the material with ease. She does a fabulous job evoking a wide range of emotions and brings her performance to a previously unseen level (at least, from what I've seen of hers). Peter Sarsgaard naturally exudes kindness and charm, we are seduced by it as she is, yet when the time calls for it he is rightly overpowering and terrifying.

Directors Rob Epstein and Jeffrey Friedman started off making documentaries that were both important and compelling. They made the switch to traditional narrative films with Howl which showcased their talent but Lovelace is further proof that they are multi-talented and continuing to grow in skill.

The film does leave out a few things, most likely for the sake of the narrative, Linda was forced to participate in several short pornography loops before she appeared in Deep Throat, including a bestiality film. She also made two movies after Deep Throat (including Deep Throat II).

The film has instant notoriety for its connection to Deep Throat and hopefully this will drive a bigger audience to it but it will likely gain some controversy as well for its association (in fact there was a small group protesting it at the premiere which is utterly ridiculous). I hope this film gets a large audience as marital abuse in its many forms is far too common a problem and needs to be brought to the forefront of discussion.

Reviewed by figment freud 2 / 10

Aw Come On Now, This Is Silly...

First off, the real Linda Lovelace changed her story a bunch of times throughout her life (including the FOUR autobiographies she wrote): which one are we to believe? Porn star Linda? Born again Christian Linda? Feminist Linda? Aging and short of cash Linda? The problem with this movie is it treats even the most bizarre tales spun by Lovelace as the God's own truth, even though everyone else involved in any of the porn productions she was involved in refute just about all of it.

Secondly, Amanda Seyfried is way too pretty and childlike to play Lovelace with any kind of credibility. The real Linda Lovelace always bordered on the creepy, haggard and slightly cross-eyed, and it was only her (then) highly unusual ability to 'deep throat' that she had going for her - at least the film got that part right.

Her endless self-victimizing tales, such as her porn shoots being filmed with a gun LITERALLY pressed to her head, and her becoming the most famous porn star in the world only out of fear that her family might be murdered(?), run contrary to the reports of almost everyone else she worked with, who considered this woman - who'd previously had sex with a dog on camera (oh yes, THAT wasn't mentioned in the film, was it?)- to be an inveterate liar and a 'sexual super-freak'. In her private life too, every time any of her apparently happy marriages ended, she played the victim all over again and alleged abuse from pretty much every man she was ever involved with right up until the end of her life - including Larry Marchiano, her 'happy ending' at the end of this film.

Lovelace was a very sad character wanting more than anything approval, sympathy and attention and apparently just said whatever she thought a 'good girl' should say in whatever circles she moved. As her fellow adult actress Gloria Leonard said, "This was a woman who never took responsibility for her own choices made, but instead blamed everything that happened to her in her life on porn." The story of her need to present herself in such a way, why she did it and the fall-out such behaviour caused to everyone else around her would have made a far better film.

I liked the 70s period detail, and there are some funny lines from Boardwalk Empire's Bobby Cannavale and Hank Azaria, but they're way out of place in such an oppressive, lurid nightmare fantasy depicting all the Boogie Nights-style shenanigans as simply abuse. By swallowing every bizarre allegation from this one deeply unreliable source and making her story exclusively one of victimhood we are infantilizing a grown woman, treating her even after death as a sexless child who never grew up and I found this deeply unpleasant to have to sit through.

Most of all I found it insulting to be presented with the self-pitying excuses of a pathological liar depicted as objective reality. There was absolutely no point to this movie being made, it says nothing of any value and doesn't even entertain. It was a waste of everyone's time and money, including mine.

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