Psycho

1960

Horror / Mystery

171
Rotten Tomatoes Critics - Certified Fresh 96%
Rotten Tomatoes Audience - Upright 94%
IMDb Rating 8.6

Synopsis


Uploaded By: Black Death
Downloaded 89,171 times
September 22, 2012 at 7:19 am

Cast

Anthony Perkins as Norman Bates
Janet Leigh as Marion Crane
Vera Miles as Lila Crane
John Gavin as Sam Loomis
720p 1080p
751.04 MB
1280*688
English
TV-14
English
23.976 fps
1hr 49 min
P/S 24 / 151
1.50 GB
1920*1040
English
TV-14
English
23.976 fps
1hr 49 min
P/S 18 / 106

Movie Reviews

Reviewed by Josh (darkjosh333@yahoo.com) 9 / 10

Perkins Is Remarkable


Most modern-day horror films make the killer to be an absolutely inhuman, grotesque, unimaginable monster in order to scare the audience out of its wits. Most of the time, however, these stereotypes create a generic murderer a raving, ranting, clearly demented psychopath. One of the few memorable cinematic killers that does not adhere to these restraints and cliches is, of course, Anthony Hopkins' Hannibal Lecter, whom manages to effectively cause the audience to recoil without such drek as the aforementioned devices.

Anthony Perkins' skillfully crafts his performance as Norman Bates, avoiding a ranting, raving, drooling, murder-happy, manic characterization; instead his performance as Norman is subtle, creepy, cool, and unsettling. He is brilliant; from his quiet conversations with Marion Crane amidst the stuffed birds, to his weasling wimpiness when confronted by Arbogast, his performance is so exact that it chills the viewer, all without the unnecessary disturbing images prevalent in more modern films (read The Cell, Henry: Portrait of A Serial Killer).

Perkin's fine performance, a tight script, and Bernstein's classic score make Psycho a film that is now and will always be remembered as one of the pinnacles of the horror genre.

Reviewed by Sam Popenoe 5 / 10

The Greatest Horror Film Ever


When you look up the phrase "Horror Film" in the dictionary .. a picture of Janet Leigh screaming in a shower should appear next to it. Undoubtedly, Psycho is the greatest horror film ever made, bar-none. The story is incredible. The acting is near perfection. The cinematography is godly. The soundtrack is perfect. It's hard to find anything wrong with Psycho. Perhaps the only imperfection I can find with Psycho is the inability to stand the test of time. One of the reasons the shower scene has become so notorious is that it's not only filmed to perfection, but because the elements of sexuality and murder are so surreal. In 1960, seeing a nude women being murdered in a shower was something that no-one had experienced yet, and was quite shocking. Nowadays, seeing Jason double-spearing two lovers having sex is nothing uncommon. I envy those who experienced Psycho in 1960 in the theaters .. those experienced the full terror of Psycho.

Aside from this though, the movie is flawless. I won't even go into to how incredible the cinematography is. One thing I think people seem to forget about the movie is the incredible soundtrack. Sound is such an important element in movies and Psycho is undaunted when it comes to sound. The only other horror movie that even comes close to using sound with such perfection is Halloween (1978).

The movie is perfectly casted as well. Janet Leigh as the beautiful Marion Crane, Vera Miles as the concerned sister, Lila Crane, and of course the unforgettable performance from Anthony Perkins as the eerie yet charismatic Norman Bates.

I would recommend this movie to any horror movie film fanatic. I would especially recommend this movie to any horror movie fan not desensitized by Friday The 13th, Nightmare On Elm Street, or Scream .. if such a fan exists.

Reviewed by LoveCoates 10 / 10

Two Words: Hitchcock's Best (...and you know that's no small feat!)


Yes, everything you've heard is true. The score is a part of pop culture. The domestic conflict is well-known. But nothing shocks like the experience itself.

If you have not seen this movie, do yourself a favor. Stop reading thse comments, get up, take a shower, then GO GET THIS MOVIE. Buy it, don't rent. You will not regret it.

"Psycho" is easily the best horror-thriller of all time. Nothing even comes close...maybe "Les Diaboliques" (1955) but not really.

"Psycho" has one of the best scripts you'll ever find in a movie. The movie's only shortcoming is that one of the characters seems to have little motivation in the first act of the movie but as the story progresses, you realize that Hitchcock (GENIUS! GENIUS! GENIUS!) in a stroke of genius has done this on purpose, because there is another character whose motivations are even more important. Vitally important. So important that you totally forget about anything else. I was lucky enough to have spent my life wisely avoiding any conversation regarding the plot of this movie until I was able to see it in full. Thank God I did! The movie has arguably the best mid-plot point and climactic twist in thriller history, and certainly the best-directed ending. The last few shots are chilling and leave a lingering horror in the viewer's mind.

Just as good as the writing is Hitchcock's direction, which is so outstanding that it defies explanation. Suffice it to say that this movie is probably the best directorial effort by film history's best director. I was fortunate enough to see this movie at a big oldtime movie house during a Hitchcock revival. Janet Leigh, still radiant, spoke before the film and explained how Hitchcock's genius was in his ability to 1) frighten without gore and 2) leave his indelible mark on the movie without overshadowing his actors (like the great Jean Renoir could never do). "Psycho" is clearly its own phenomenon, despite all the big-name talent involved.

Hitchcock does not disappoint by leaving out his trademark dark humor. His brilliance is in making a climax that is at once both scary and hilarious. When I saw it in the theatre the audience was both gasping in disbelief while falling-on-the-floor laughing.

One more thing...

Tony Perkins. Janet Leigh got much-deserved accolades for this film, but it is Perkins who gives what remains the single best performance by an actor in a horror movie. He is so understated that his brillance passes you by. He becomes the character. The sheer brillance of the role is evidenced by the ineptitude of the actors in Gus Van Sant's 1998 (dear God make it stop!) shot-for-shot "remake." Though the movies are nearly identical, Hitchcock's is superior mostly because of the acting and the atmosphere (some of the creepiness is lost with color). This is made obvious by the initial conversation between Leigh's character and Perkins, a pivotal scene. The brilliance of Perkins in the original shines even brighter when compared with the ruination in the remake even though the words and the shots were exactly the same. The crucial chemistry in this scene lacking in the remake gives everything away and mars our understanding of upcoming events. The fact that Perkins could never escape this role - his star stopped rising star as it had done in the 50s - proves that he played the part perhaps too well.

I keep using the word brilliant, but I cannot hide my enthusiasm for this movie. It is wholly unlike the overblown, overbudget, overlong fluff spewing all-too-often out of Hollywood today. "Psycho" is simple, well-crafted and just the right length.

Eleven-and-a-half out of ten stars.

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