Red Lights


Drama / Mystery


Uploaded By: YIFY
Downloaded 48,853 times
September 18, 2012 at 6:55 pm



Sigourney Weaver as Margaret Matheson
Robert De Niro as Simon Silver
Cillian Murphy as Tom Buckley
Elizabeth Olsen as Sally Owen
720p 1080p
750.70 MB
23.976 fps
1hr 53 min
P/S 3 / 16
1.75 GB
23.976 fps
1hr 53 min
P/S 3 / 9

Movie Reviews

Reviewed by Tom Gooderson-A'Court ( 7 / 10

Some good twists, some poor twists and some excellent actors

Psychologist and paranormal investigator Dr. Margaret Matheson (Sigourney Weaver) and her assistant Dr. Tom Buckley (Cillian Murphy) a physicist travel around debunking supposed paranormal activity from bumps in the night to stage psychics. Dr. Buckley wants to investigate their most challenging person to date, Simon Silver (Robert De Niro), a redound psychic who is making a comeback after a thirty year absence from the stage. Dr. Matheson warns Buckley against this though after having come up against him in the 1970s and failing to prove him a fraud. With the help of student Sally Owen (Elisabeth Olsen) Buckley defies Matheson and begins investigating the illusive Silver.

As a radical atheist and sceptic the film's ideas appealed to me. I was delighted to watch the scientists make fun of and debunk people who claim to see ghosts and be able to read minds. The script treats these people with distain and isn't afraid to mention how these people can be responsible for giving stupid people false hope and can even cost lives. The cast is also amongst the best of any film this year. With actors such as Signourney Weaver, Cillian Murphy, Toby Jones, Joely Richardson, the delightful Elizabeth Olsen and my all time favourite actor Robert De Niro, anything less than a great film would be a disappointment. Well, this isn't a great film but it isn't terrible either.

The cast are all great. It's nice to see Sigourney Weaver in a more substantial role for a change and not just popping up at the end of a sci-fi film. She is believable as a psychologist and it's fun to see her spa with Toby Jones. Her character also has just the tiniest bit of doubt which makes her fallible and this is conveyed well by the actress. Cillian Murphy is also excellent as the physicist but is a bit more mysterious than Weaver. He gets better as his character develops as the film progresses. Elisabeth Olsen gives another good performance but after her break out roles in Mary, Martha and Safe House takes a bit of a back seat here. De Niro, who as I said is my all time favourite actor doesn't embarrass himself for once and while we don't get De Niro of the 70s or 80s he's on good form here. The supporting cast of Submarine's Craig Roberts, Joley Richardson, Toby Jones and English language newcomer Leonardo Sbaraglia help to round out a great cast with good performances.

The plot develops at a good pace and it gets darker and scarier as it goes on. I wasn't able to get the main twist which was a satisfying if ever so slightly confusing one but De Niro's twists were ridiculously obvious and pointed to far too much. Anyone can see what is going on, you just have to watch. The camera work is far too busy for my liking. One scene featuring Murphy and Olsen having a conversation in a cafe used about seven different camera angles and it became a little distracting. After filming Ryan Reynolds in a box for his last feature Buried, director Rodrigo Cortes could have done with making his latest film a bit more confined.

The first hour is definitely better than the second and there was an echo of "oh, well then" as the lights went up in the cinema. The film loses its way slightly in the second half and the somewhat pedestrian script comes to the forefront. While the actors do a good job and while there is plenty to like the ending isn't brilliant and doesn't do the opening justice. Even so, it's nice to watch some great actors delivering good performances and the twists should keep most people guessing.

Reviewed by alangsco 7 / 10

Lights at the end of tunnel.

Firstly, apologies for the review title. I've seen too many tabloid headlines.

Red Lights was reasonably original, well-written and well-acted. Any movie that can tick these three boxes is worth a look. Although the build up to the introduction of De Niro's character (Simon Silver) represented a slightly excessive portion of the movie it was, nevertheless, interesting. I gather the ending has divided opinion quite a lot, and I admit that it could have been done much better. I've said before when reviewing movies that it's never a good sign when you have to have a character explicitly explain just what has happened in the film. It might have been a better idea to leave it without the explanation and let the audience decide. That might have stoked up debate in a good way and generated some more interest in the film.

Acting-wise i'm sorry to say i'm always skeptical when Robert De Niro appears in a movie nowadays. The man was a terrific actor in his day, but he's been in a lot of recent turkeys. He doesn't have a lot of screen-time here but his performance was fine. If he keeps choosing credible films like this one his reputation will start to repair itself. Sigourney Weaver performs with credit as usual and I always rate Cillian Murphy highly.

Definitely worth going to see this. It's above average, if only slightly.

Reviewed by mueslibrekkies 5 / 10

Yes, yes, yes, yes, NO!

Sigourney Weaver plays Margeret Matheson, a jaded middle-aged psychologist. If you've seen Avatar it's the same character she plays in that but with a bit less vitriol. I liked this character; a firm woman,but fair and kind when she needs to be. This is a character we've all met in real life at some point. She's compelling and extremely well acted by Weaver. In every scene you're completely hooked by the show she puts on.

Cillian Murphy's character, Tom Buckley, is a little more mysterious. He plays a Physicist (allegedly) who accompanies Matheson on her expeditions to debunk fake mediums and psychics. The character is written with little back story and what little back story that is introduced remains cryptic. The role is well acted but outshone by the better conceived, better written character of Matheson.

The film starts out well. The first scene (a prologue/intro sequence) is suspenseful and I thought it worked really well. Both Weaver's and Murphy's characters are introduced well and chemistry is established right from the first scene.

The best thing about this film is the atmosphere. Every scene is absolutely dripping with it. The direction as well is tasteful and strong. Little touches like the camera shaking a little more in every scene that Matheson is in (to show her questionable health) are very effective and add to the feel.

This 2 hour film trundles along at a steady pace, fleshing out Matheson and Buckley (sort of) and introducing a completely irrelevant love interest for Buckley. She plays little role in the story and could be cut entirely.

We follow them as they expose a Psychic as a fake. They perform surveillance in the crowd before the show, spotting so called "Red Lights" (employees of the Psychic who scout potential targets for the psychiching later) and hacking into the radio frequency that is used to communicated with the Psychic on stage and tell him names and other secrets to fool the audience into thinking he's actually got a gift. Looking good so far.

We are shown Matheson's inner turmoil; her sick son. Apparently in a coma for over a decade, the soft, squishy side of such a apparently tough woman is laid bare. Apparently her zeal for exposing fake psychics stems from her inability to let him go. She uses him as an excuse almost, each case shown to be a fake solidifying her belief that there's no afterlife and justifying her keeping him alive. Besides a spot of clumsy writing with some un-needed overexposition (a bit of a theme with this film I'm afraid) the time spent in the hospital room really opens up Matheson's character.

And then she dies.

Seriously, she dies. Why? I don't know. Matheson, the most fleshed out and built up character just up and dies. Such a pointless grab at an emotional scene completely kicks the legs out from under the film. There's no reason why the Matheson character couldn't have been included in the rest of the film, she just disappear. This was supposed to be a parallel of a past event in the story, where Simon Silver's (a blind, formerly extremely famous psychic (Robert De Niro)) biggest critic mysteriously died from a heart attack. However it is very, very loosely linked and barely explained.

The latter half of the film we focus on Buckley as he becomes obsessed with discovering Simon Silver as a fraud. Buckley, now apparently the main character, slowly seems to get more and more unhinged as he's apparently haunted by Silver. Birds spontaneously fly into windows near him, things go bump in the night, equipment explodes randomly etc etc. The void left by Matheson never quite goes away though, for all the wrong reasons.

Silver is eventually found to not be a fraud after a heavy duty scientific study but Buckley unleashes his trying-so-hard-to-do-an-American-accent student(Ben, Craig Roberts) on the footage from the experiment who eventually comes up with nothing. Suddenly, love interest (who I'd completely forgotten about) comes along and spots that Silver's watch and the other scientist performing the test's watch are perfectly in sync. Ignoring the fact that Silver was told to remove his watch earlier in the scene and the fact that the other (unintroduced) scientist is apparently totally alright with jeopardising his scientific career for whatever Silver is paying him, this reveal is pretty weak and totally not characteristic of actual scientific study.

Buckley confronts Silver on stage at his last show (after being beaten thoroughly to fine mush by one of Silver's minions) and the theatre goes mad. Lights explode, ceilings crack, the ground shakes, Silver's glasses fall off. This is all very exciting and you really wonder how Silver is pulling it all off. You wait for the great reveal. The turmoil subsides and Buckley flicks a coin at Silver who snatches it out of the air, revealing he is not in fact blind and is a fraud. This is where the film should have ended.

And then Silver says that one line. That simple 5 word line that completely ruins the entire film. "How did you do that"

Yep, you got it. Buckley, the mysterious physicist, the man obsessed with revealing Silver as a fraud, is the true Psychic. This is a twist so violent and random it finally breaks the films neck. It completely mangles the whole tone, message, moral; anything this film had is now gone. The mystery and tension evaporates like a flock of birds after a gunshot. The intrigue at how these apparently impossible events could have possibly happened to Buckley is moot. All of this in the last 5 minutes of the film. I have never known a film be more thoroughly ruined in such an thorough and accurate way.

5/10. The story is nearly there, the acting is generally good, the atmosphere created is stellar, but those last 5 minutes are truly horrifying.

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