Red Lights

2012

Drama / Mystery

61
Rotten Tomatoes Critics - Rotten 29%
Rotten Tomatoes Audience - Spilled 36%
IMDb Rating 6.2

Synopsis


Uploaded By: YIFY
Downloaded 36,297 times
September 18, 2012 at 6:55 pm

Director

Cast

Sigourney Weaver as Margaret Matheson
Robert De Niro as Simon Silver
Cillian Murphy as Tom Buckley
Elizabeth Olsen as Sally Owen
720p 1080p
750.70 MB
1280*544
English
R
English
23.976 fps
1hr 53 min
P/S 4 / 16
1.75 GB
1920*816
English
R
English
23.976 fps
1hr 53 min
P/S 2 / 9

Movie Reviews

Reviewed by Dharmendra Singh 7 / 10

Paranormal Piffle

Not much has been made of it, but 'Red Lights' has a twist which, I don't care how attentive or clever you are, you will simply not predict. Paranormal-themed films are getting to be quite stale, but the ending, which actually has two twists, is marvellous and might - might - galvanise the genre.

Sigourney Weaver and Cillian (pronounced 'Kill-ian') Murphy play Doctors Matheson and Buckley. They're a psychologist and physicist who investigate psychic claims. Invariably they come away from each case laughing. Every one is explained scientifically; rationally. They're exposed as magic tricks.

Recent roles haven't reflected why Weaver, who is nearly 65, has been so prolific of late, but here she excels. Her character is meant to be an expert and, because of the plausibility she exudes, that's exactly how I viewed her. Writer-director Rodrigo Cortes' ('Buried') excellent script assists her characterisation. Intellectual, detailed, life-like: you could be mistaken, at moments, for watching a TV show debate. Murphy gets similar credit. He invests in his role a seriousness which might have been silly if he did so in isolation.

The doctors find their match in Simon Silver (Robert De Niro), a famous psychic who comes out of retirement for one last pay check. He's the only one Weaver won't investigate because 'he's the only one who makes her doubt'. Murphy insists, however, but when he does, he – we – uncover more than we were expecting.

Like you (I hope), I'm convinced that psychic ability is balderdash. So I was more than impressed at how Cortes creates a mood and a tempo that keeps you guessing until the dramatic end. His film is original, suspenseful and, most importantly for a film with this premise, credible.

But then there's De Niro, my favourite actor. Always has been. Always will be. But my God has he been making it hard for me these past 20 years. He once said that he was an actor, not a personality. I think it's time for him to update his personal quote book. Why do I say this? Because (and I deeply regret admitting this) he's the single biggest reason why 'Red Lights', regardless of Weaver's and Murphy's endeavours and the superb final twist, will join his expanding cannon of fodder.

www.moseleyb13.com

Reviewed by mueslibrekkies 5 / 10

Yes, yes, yes, yes, NO!

Sigourney Weaver plays Margeret Matheson, a jaded middle-aged psychologist. If you've seen Avatar it's the same character she plays in that but with a bit less vitriol. I liked this character; a firm woman,but fair and kind when she needs to be. This is a character we've all met in real life at some point. She's compelling and extremely well acted by Weaver. In every scene you're completely hooked by the show she puts on.

Cillian Murphy's character, Tom Buckley, is a little more mysterious. He plays a Physicist (allegedly) who accompanies Matheson on her expeditions to debunk fake mediums and psychics. The character is written with little back story and what little back story that is introduced remains cryptic. The role is well acted but outshone by the better conceived, better written character of Matheson.

The film starts out well. The first scene (a prologue/intro sequence) is suspenseful and I thought it worked really well. Both Weaver's and Murphy's characters are introduced well and chemistry is established right from the first scene.

The best thing about this film is the atmosphere. Every scene is absolutely dripping with it. The direction as well is tasteful and strong. Little touches like the camera shaking a little more in every scene that Matheson is in (to show her questionable health) are very effective and add to the feel.

This 2 hour film trundles along at a steady pace, fleshing out Matheson and Buckley (sort of) and introducing a completely irrelevant love interest for Buckley. She plays little role in the story and could be cut entirely.

We follow them as they expose a Psychic as a fake. They perform surveillance in the crowd before the show, spotting so called "Red Lights" (employees of the Psychic who scout potential targets for the psychiching later) and hacking into the radio frequency that is used to communicated with the Psychic on stage and tell him names and other secrets to fool the audience into thinking he's actually got a gift. Looking good so far.

We are shown Matheson's inner turmoil; her sick son. Apparently in a coma for over a decade, the soft, squishy side of such a apparently tough woman is laid bare. Apparently her zeal for exposing fake psychics stems from her inability to let him go. She uses him as an excuse almost, each case shown to be a fake solidifying her belief that there's no afterlife and justifying her keeping him alive. Besides a spot of clumsy writing with some un-needed overexposition (a bit of a theme with this film I'm afraid) the time spent in the hospital room really opens up Matheson's character.

And then she dies.

Seriously, she dies. Why? I don't know. Matheson, the most fleshed out and built up character just up and dies. Such a pointless grab at an emotional scene completely kicks the legs out from under the film. There's no reason why the Matheson character couldn't have been included in the rest of the film, she just disappear. This was supposed to be a parallel of a past event in the story, where Simon Silver's (a blind, formerly extremely famous psychic (Robert De Niro)) biggest critic mysteriously died from a heart attack. However it is very, very loosely linked and barely explained.

The latter half of the film we focus on Buckley as he becomes obsessed with discovering Simon Silver as a fraud. Buckley, now apparently the main character, slowly seems to get more and more unhinged as he's apparently haunted by Silver. Birds spontaneously fly into windows near him, things go bump in the night, equipment explodes randomly etc etc. The void left by Matheson never quite goes away though, for all the wrong reasons.

Silver is eventually found to not be a fraud after a heavy duty scientific study but Buckley unleashes his trying-so-hard-to-do-an-American-accent student(Ben, Craig Roberts) on the footage from the experiment who eventually comes up with nothing. Suddenly, love interest (who I'd completely forgotten about) comes along and spots that Silver's watch and the other scientist performing the test's watch are perfectly in sync. Ignoring the fact that Silver was told to remove his watch earlier in the scene and the fact that the other (unintroduced) scientist is apparently totally alright with jeopardising his scientific career for whatever Silver is paying him, this reveal is pretty weak and totally not characteristic of actual scientific study.

Buckley confronts Silver on stage at his last show (after being beaten thoroughly to fine mush by one of Silver's minions) and the theatre goes mad. Lights explode, ceilings crack, the ground shakes, Silver's glasses fall off. This is all very exciting and you really wonder how Silver is pulling it all off. You wait for the great reveal. The turmoil subsides and Buckley flicks a coin at Silver who snatches it out of the air, revealing he is not in fact blind and is a fraud. This is where the film should have ended.

And then Silver says that one line. That simple 5 word line that completely ruins the entire film. "How did you do that"

Yep, you got it. Buckley, the mysterious physicist, the man obsessed with revealing Silver as a fraud, is the true Psychic. This is a twist so violent and random it finally breaks the films neck. It completely mangles the whole tone, message, moral; anything this film had is now gone. The mystery and tension evaporates like a flock of birds after a gunshot. The intrigue at how these apparently impossible events could have possibly happened to Buckley is moot. All of this in the last 5 minutes of the film. I have never known a film be more thoroughly ruined in such an thorough and accurate way.

5/10. The story is nearly there, the acting is generally good, the atmosphere created is stellar, but those last 5 minutes are truly horrifying.

Reviewed by snodlander 8 / 10

An intelligent mystery

I wasn't sure what to expect from the trailers. Gore and horror aren't my thing, unless it's done well, and so few are these days. However, I was pleasantly surprised. This has less to do with the supernatural and more to do with belief systems in a modern world.

The story focuses upon two scientist professors that fill in the time between classes by investigating and exposing psychic frauds, be they petulant schoolgirls or venal evangelists. So when Murphy presses to investigate a famous mystic, why is Weaver so reluctant to agree? Is De Niro gifted with extraordinary powers, or a clever con artist? The atmosphere becomes more menacing and oppressive as the film progresses, leaving me wondering whether Murphy was becoming paranoid, or whether De Niro really was targeting him. The end, though not exactly the Sixth Sense ending some are proclaiming, was certainly unexpected.

Great acting from the leads, as you would expect. Great dialogue. Not much in the way of action, nor thankfully schlock horror, but the tension mounted throughout the film. A clever and satisfying film.

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