Sling Blade

1996

Drama

Synopsis


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January 31, 2012 at 11:18 am

Cast

Billy Bob Thornton as Karl Childers
Dwight Yoakam as Doyle Hargraves
J.T. Walsh as Charles Bushman
John Ritter as Vaughan Cunningham
720p
695.50 MB
1280*688
English
R
English
23.976 fps
2hr 28 min
P/S 4 / 68

Movie Reviews

Reviewed by DeeDee-10 5 / 10

Thoroughly Thornton!


A magnificent film! Watching Billy Bob, I was reminded of Bo Radley (Robert Duvall)in To Kill a Mockingbird. The irony of seeing Duvall in Sling Blade made it that much more rewarding. Yes, it's true, the ending was inevitable, but so what? The journey to the end was what made this film the gem that it is. Dwight Yoakam made my skin crawl, and Lucas Black as little Frank brought out my motherhood instinct. Protect that boy, Karl! And he did. This had all the elements of a great film: an unselfish hero who brings about changes in the lives of others in a meaningful way. Granted, had his mental capabilities been greater he might have made another choice. Given the circumstances of the film, there was no other choice.

Reviewed by theENK 10 / 10

Convincing and thought provoking.


Sling Blade is a very well acted, well displayed, and interesting masterpiece. I just loved it from beginning to end.

First I would like to comment on the excellent acting across the board, especially the late John Ritter and Billy Bob Thornton's ensemble portrayal of Karl. I could not help but feel very attached to Karl from the opening scene, his release from the mental institution, his struggles with the outside world, and how he related to the town people. Sling Blade is one of those movies that I would love to sit down and talk about for hours with a friend. I would also love to hear others' perspectives about what made this movie great.

It seems that every scene was worked to perfection. From the lighting and camera's viewpoint to the acting and music. I enjoyed every scene, but thought that three really stood out. Without giving too much away, they are as follows. No spoilers here:

1. Inside the house after band practice where Karl does not move from the couch.

2. When Karl is visited at work and we see him make eye contact for the first time.

3. The scene where Karl is in the garage late at night. The chilling music really captures the mood. My heart was pounding during this one!


I hold Mr. Thornton to a very high respect. He created a masterpiece that is emotional, thrilling, dramatic, humorous, and entertaining.

Reviewed by Stephen Johnson (stepjohn@mindspring.com) 5 / 10

Filmmaking at it's Best


As someone who loves good filmmaking, I rate this film among the best I've ever seen in all areas of the craft. Some of the criticisms of this film are hard to fathom.

The screenplay has the tight conciseness of a well-honed play (which this essentially was derived from) and doesn't fail to prick at the emotions and the intellect of the viewer. The photography, the casting and the editing all click together quite admirably.

However, I always marvel at the negative, emotionalized responses to otherwise superb films such as this by those who seem to miss the entire point of a movie like "Sling Blade".

I did not see a political message about abortion, or a justification of murder or even a backhanded putdown of the rural people of Arkansas. (Many of the characters were locals, by the way.) Some viewers are setting themselves up to be against this film since they are wearing their own feelings on their sleeves and fail to see the subtle layers of the story. They are seeing only the reflection of themselves on the surface of the water, rather than the complex world below.

Theater and film are rooted in images and characterizations designed to help us explore the human condition. It was once said that Tolstoy's voluminous novel "War and Peace" could be summed up in a single sentence thereby negating the need to write the book. Art is not a fast explanation, but a captivating and thought-provoking trip that hopefully forces us to think about our own motivations. Taking a one-dimensional view of this film might lead one to believe that Karl Childer's central message is that we should all eat biscuits smeared with mustard.

"Sling Blade" excels at the job of making us examine the terrible choices life gives us by providing a set of characters who interact in a moving, curious and revealing way. It is not reality nor is it political, but a method by which we can look at our own individual realities.

Others who seemed disenchanted with this film out-of-hand are those who found it "slow". Helloooo! This film is SUPPOSED to be slow and agonizingly so. It is carefully walking you to the conclusion, step-by-step, so you can squirm uncomfortably at the overall foreshadowing. It ain't an explosion-a-minute John Woo filmmaking and it certainly isn't light comedy, though it induces a surprising number of smiles.

This is a film that makes us look at true evil in the form of J.T. Walsh, Dwight Yoakum and Robert Duval's characters and compare it to the pure goodness of the damaged creature portrayed by Billy Bob Thornton, whose own brutalization leads him to seek justice in his own imperfect way.

To help those out who didn't "get" this film, I might recommend that you consider Thornton's character to be an amalgamation of Herman Melville's innocently homicidal protagonist in "Billy Budd" and Mary Shelley's sad monster Frankenstein. These characters, like Thornton's Karl Childers, were dramatic vehicles for the purpose of making us think. They did bad things but we were forced to view them compassionately because they reflected our own conflicting traits.

Don't read things into a film that aren't there, but don't ignore the interesting elements that are. Get those wheels upstairs turning and start enjoying intelligent filmmaking instead of merely seeking an excitement fix!

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