The Amazing Spider-Man

2012

Action / Adventure

Synopsis


Uploaded By: YIFY
Downloaded 384,017 times
October 25, 2012 at 8:13 pm

Director

Cast

Andrew Garfield as Spider-Man/Peter Parker
Emma Stone as Gwen Stacy
Rhys Ifans as The Lizard/Dr. Curt Connors
Irrfan Khan as Rajit Ratha
720p 1080p 3D
899.07 MB
1280*536
English
PG-13
English
23.976 fps
2hr 16 min
P/S 40 / 137
2.00 GB
1920*804
English
PG-13
English
23.976 fps
2hr 16 min
P/S 47 / 307
2.10 GB
1920*1080
English
PG-13
English
23.976 fps
2hr 16 min
P/S 4 / 13

Movie Reviews

Reviewed by ben_horror 5 / 10

The Amazingly Unnecessary Spider-man

With the success of the first X-Men movie in 2000, Bryan Singer pretty much paved the way for all the comic book movies we see today. That included a certain super hero movie made by Sami Rami in 2002 where a nerdy guy (Tobey Maguire) gets bitten by a radioactive spider and inherits superhuman powers. If Singer had paved the way, then Rami provided the icing on the cake: a faithful, smart, well-acted super hero flick that had as much heart and sincerity packed in as it had all those set pieces. It also lead to a superior sequel and the much maligned, though underrated, third episode.

Which brings us to what we have here: while not a beat for beat remake, you get the same story more or less with a different love interest and villain. Peter Parker (Andrew Garfield) sneaks into a research facility and gets bitten by a radioactive/genetically enhanced spider. He gets super powers and becomes Spider-Man. Meanwhile, a doctor (Rhys Ifans) working at the same facility, is being forced to close down his research into tissue regeneration. In desperation, he injects himself with an untested self-generating lizard vaccine and becomes… a half man/half lizard thing. Spider-Man is then forced into action to stop him from spreading this contagion throughout the city of New York. Gwen Stacy (Emma Stone) is the damsel in distress/love interest and plays a role in trying to stop the crazed beast.

First things first: this is not a bad film. It's well acted by all the principals, has good effects, a scary and menacing villain, some nice action sequences and web swinging effects that are generally slightly more realistic than the Rami version. Parker is more evidently scientific and intelligent here. Also the police's notion that Spider-Man is a menace to the public is more clearly defined, especially in the scene where he disarms an officer. The new idea is that Parker can hear the movements of spiders and it's a good addition. So where does it all go wrong? The short answer: it's just that it's so… pointless.

We had already seen the story before. There was absolutely no reason to tell it again. This movie could easily have been Spider-Man 4 with Andrew Garfield filling in the Spidey spandex instead of Tobey Maguire. But Marvel – in their infinite wisdom – just chose to tell the same story a second time. Going by that rationale, presumably Andrew Garfield will be cast aside like a disused sock when they inevitably choose to 'reboot' the franchise again in ten years or so. It is a scarily unimaginative tactic and it is one they will continue to do until there is a massive financial failure.

This movie follows the same set up as the 2002 version: Parker being picked on, getting advice from his sage-like uncle (Martin Sheen), being bitten, getting his powers/climbing walls, and turning his back on a situation which unfortunately has tragic consequences for a family member. It's all a case of been there, done that. If you want to compare it to the Rami original, then the short answer is; as good as Andrew Garfield is, Tobey Maguire was better. Maguire filled the suit better; on occasion, Garfield is prone to looking thin and scrawny during several scenes. Even the suit looked better in the Rami movies. And those earlier movies had a heart and sincerity – especially in the relationship between Peter and his aunt and uncle that you don't see here. Again we ask: why does this movie exist?

And there are holes: there's a massive lizard running around, wreaking havoc; yet the police are more preoccupied with pointing their guns at Spider-Man – despite the fact that he saved a child in a (surprise, surprise) rehashed scene set on a bridge taken from Rami's first movie. In another part, the citizens of the city (once again - in a bit taken from Rami's movie) unite to help Spider-Man cross the city using tower cranes – despite the fact that there are buildings all around him. Heck, even the villain is initially a do-gooder like Norman Osborn and Dr. Octavius – again from the Rami movies.

It also seems to pull inspiration from another super hero movie: Christopher Nolan's Batman Begins (2005) in that it's slightly darker, tells such a large origin story that just like Batman Begins, Spider-Man doesn't actually show up on screen for the first hour. So if you take two parts Batman Begins and add a touch of Rami's Spider-Man, the result is what you have here. Additionally, the introduction of the web shooters, while being faithful to the original comics and emphasizing Parker's intellect, is a bit of a mixed blessing. The notion of the web being an organic material rather than being fired from mechanical devices actually made more sense.

It's not that reboots are a bad idea, they're not. In certain situations they can work well, provided for example, enough time has elapsed. But there is no point in retelling the same story if the initial release is still relatively recent. In addition, it helps if the story wasn't covered well the first time, or it was a bad movie to begin with. Going by this criteria, Marvel's latest cash cow is unnecessary on all three accounts.

In closing, if you haven't already seen the Rami movie from 2002, go watch it instead. If you have seen it, then this probably won't live up to it and you will be left feeling a little underwhelmed. It's fair to say that for anyone over the age of eighteen, this movie will seem rather half-hearted and senseless; for those under eighteen, this movie will probably be the greatest super hero flick ever. Yes, it's a movie that will divide opinions, primarily on the sole reason for its existence. Not a bad, or a badly made flick, by any means… just a pointless one.

Reviewed by Ryan Tatara 1 / 10

If the studio doesn't care, why should I?

No one involved with this movie cared about making a good movie. Because they don't need to. The Spiderman movies will make money no matter good or bad they are. But that doesn't mean they should not try to. Why did this movie get made? Simple, Sam Raimi wasn't given enough time to make a fourth spider-man film so he quit, and the fans wanted to see the lizard on screen. This movie wasn't made for any other reason.

First off, Peter Parker doesn't have a goal in this movie. At first its to find out what happened to his parents, which isn't explained in this movie. After half an hour he now tries to control his new powers, in scenes that don't help the audience. In the original spider-man, Peter learned about his powers in a controlled environment, he didn't beat up innocent people on a subway train. It's nice to know no one on that train reported that a man beat up five people while climbing walls. But Peter learning his powers can't be an entire focus in the movie, so we kill Uncle Ben. This time it doesn't work because the only reason Peter let the criminal get away was because Peter couldn't get a chocolate milk. To get so upset that he couldn't afford a chocolate milk that he would let a robber get away with the stores money is a contrivance in every way. So for about ten minutes Peters new goal is to bring uncle Ben's murderer to justice, let the police can't link all these look alike criminals spider-man does capture with the man who did kill peters uncle. After a while he just stops doing this, with no reason! And there is still about an hour left, so what are we going to do now? How about introduce that main villain you've been promising us? The Lizard is horribly written in every scene he's in. Why does he go to so much trouble to knock cars off of a bridge just to tell one guy (who is never seen afterwords) that their vaccine isn't ready yet? Because we needed another action scene. After that they bring up that the daily bugle wants pictures of the lizard, a point that doesn't amount to anything, except the lizard finding out who spider-man is. For someone as smart as Peter Parker has been set up to be it was really stupid for him to put his name on the camera he was using to take pictures of the lizard.

The climax doesn't work for 2 reasons. The first being this is the same climax we've seen in about four other superhero movies. The second one being there are no stakes. Only half of Manhattan would be infected 8 minutes after the lizard started his chemical missile, decreasing the people at risk greatly. Also THERE'S A CURE FOR THIS!! You know, the thing Gwen has been working on for the past 6 minutes? Whoever gets infected can just get the cure shot into them afterwords, and as of right now there are only 10 people infected, so why waster your time trying to put the cure into the missile that will stretch half of Manhattan and only effect 10 people?!

Gwen Stacy's dad dies and tells Peter to leave Gwen out of this, and proceeds to still date Gwen. What a great way to respect someone who died protecting people! Don't watch this movie, don't waste your time with this movie, even Spiderman 3 was better than this, so just watch the Sam Raimi trilogy, at least those movies had effort put into them.

Reviewed by cultfilmfreaksdotcom 1 / 10

Spiderbland

In one scene, right after a spider in the Oscorp Laboratories bites Peter Parker: he falls asleep in a subway only to be awakened by a random loser who (for some strange reason) places a beer bottle on Parker's head. A drop of water from the bottle rolls down onto Peter's face, causing him to fling to the top of the car and stick to the ceiling – like a spider.

Over a dozen people witness this spectacular feat... and what happens next? A lady gets miffed because some of the beer spilled on her clothes. That particular reaction sums up how amazing the entire film is. After fully realizing his powers and using them to skateboard with furious bravado outside his high school, Peter Parker (much too) quickly dons the Spidey outfit that seems more like a surfer's wetsuit than a real transformation.

He seeks his uncle's murderer from the supposedly pivotal scene lacking the tragic fate of the protagonist's mentor in Sam Raimi's version. This doesn't perpetuate Parker into a vengeful vigilante misusing his powers, but gives him reason to fly around wielding his skills that actor Andrew Garfield never seems in any particular awe about. The SOCIAL NETWORK star, resembling Anthony Perkins had he become a melancholy hipster, doesn't give Peter Parker the underdog value Tobey Maguire successfully conveyed – but that's the scripts fault. Parker's not a nerd or even an outcast; having lost his parents for mysterious reasons, he's simply not a happy camper.

Other than the rushed changeling into the titular superhero, there's hardly any character arc for the good guy or the villain. Osco's resident genius Dr. Curt Conner's transforms into The Lizard so quick, running amok New York City like a raptor on steroids, there's not much reason, or worthy motivation, for his actions.

But (all) this lack of purpose fits a movie that, when not wallowing in romantic melodrama between Parker and girlfriend Gwen Stacey… whose dad is a hard-nosed cop and a weak replacement for a much-needed human antagonist like J. Jonah Jameson… doesn't live up to the original film or the comic books that at least, for better or worse, had a good time.

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