The Kid


Comedy / Drama


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Downloaded 82,744 times
October 12, 2011 at 10:46 am


Charles Chaplin as A Tramp
Edna Purviance as The Woman
Jackie Coogan as The Child
Carl Miller as The Man
300.93 MB
Not Rated
23.976 fps
1hr 8 min
P/S 16 / 36

Movie Reviews

Reviewed by Cineanalyst 9 / 10

Smiling and Tearing

"The Kid" is a powerfully emotional and wonderfully hilarious motion picture and was a tremendous breakthrough in Charlie Chaplin's oeuvre. Chaplin hadn't filled a film so fully with pathos since "The Vagabond" (1916), and then it was in a very limited way, subject to the confines of two-reel length. Additionally, "Sunnyside" (1919) was a failure. The feature length of "The Kid" also allows Chaplin to elaborate and refine the gags, pranks and set pieces, and with the support of Jackie Coogan, it's one of his funniest comedies.

The parent-child relationship has proved potential as sentimental entertainment, and, for me, not many have neared Chaplin in exploiting that formula in "The Kid". The sequence where they take the kid, for a workhouse, away from the tramp is probably the most powerful and endearing tearjerker moment in the film--or of all film. In addition to Chaplin and Coogan, Edna Purviance is also quite effective in the dramatic side of the picture. Furthermore, Chaplin and cinematographer Roland Totheroh's photography had by then improved vastly over their work at Mutual, and Chaplin was already an eccentric perfectionist, but the musical score added to the 1971 release, composed by Chaplin, taken from Tchaikovsky, gives the sentimental parts its most verve.

Of the slapstick, one of my favorite scenes involves the tramp in fear of a bully. It's reminiscent of his Mutual short "Easy Street" (1917), which is made especially clear when the bully bends a lamppost with one punch. There are many other great moments of humorous pantomime and farce in this film. Yet, "The Kid" is much more than that, which makes it such a breakthrough; the slapstick fills the plot, and there is more of a developed plot here than in Chaplin's previous work. This was the beginning of the tramp as the sympathetic, pitiful hero, as well as clown, that's so recognizable and beloved to this day.

Moreover, the dream sequence is an ingenious plot device; it adds dimensionally to the narrative and asserts its themes while delaying the inevitable conclusion of the outer narrative to poignant effect. It's also funny in a silly way. It's somewhat analogous to the outer reality story, although with much ambiguity. I wasn't always sure Chaplin was making any clear point, such as with the Christ image earlier in the film, but that seems unimportant; "The Kid" affects the emotions and isn't especially aimed at engaging the mind. At six reels, with more sets and a developed plot, this film was already an expansion compared to Chaplin's previous films; the dream sequence satisfyingly expands the narrative depth, thus making "The Kid" Chaplin's first complete feature.

Reviewed by Snow Leopard 5 / 10

A Must-See Silent Comedy

While perhaps not as celebrated now as some of Chaplin's later features, "The Kid" is an excellent achievement and a thoroughly enjoyable film. Charlie and young Jackie Coogan make an entertaining and unforgettable pair, and there is a lot of good slapstick plus a story that moves quickly and makes you want to know what will happen. Chaplin also wrote a particularly good score for this one, and most of the time the music sets off the action very nicely.

While it's a fairly simple story, this is one of Chaplin's most efficiently designed movies. Every scene either is necessary to the plot, or is very funny for its own sake, or both. Except for Chaplin and Coogan, most of the other characters (even frequent Chaplin leading lady Edna Purviance) are just there to advance the plot when needed, and the two leads are allowed to carry the show, which they both do extremely well.

"The Kid" is also impressive in that, while the story is a sentimental one, it strikes an ideal balance, maintaining sympathy for the characters while never overdoing it with the pathos, which Chaplin occasionally lapsed into even in some of his greatest movies. Here, the careful balance makes the few moments of real emotion all the more effective and memorable.

This is one of Chaplin's very best movies by any measure. If you enjoy silent comedies, don't miss it.

Reviewed by talking_tree 10 / 10

There are no words to phraise this movie enough

It is hard to find such delightful and adorable movies these days as "The Kid". It is a silent movie but so rich, winning and beautiful that you don´t nead words. Chaplin and 6-year old Coogan are possibly the most charming pair I have ever seen in my life. The film succees to be nicely light and full of joy but also overwhelmingly sad and sentimental. I always get my eyes full with tears of saddness and happiness. And I really never cry in movies. And the music...its simply Oscar-level! The movie is sympathetic, full of feeling, touchingly funny moments. It is truly a masterpiece showing how extraordinary talented person Charlie Chaplin was considering this film is respectively over 80 years old! So don´t you miss it because of it´s age, don´t miss it.

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