The Reader

2008

Drama / Romance

216
Rotten Tomatoes Critics - Fresh 61%
Rotten Tomatoes Audience - Upright 79%
IMDb Rating 7.6

Synopsis


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Director

Cast

Kate Winslet as Hanna Schmitz
Ralph Fiennes as Michael Berg
Bruno Ganz as Professor Rohl
Jeanette Hain as Brigitte
720p 1080p
801.17 MB
1280*688
English
R
English
23.976 fps
2hr 4 min
P/S 23 / 145
1.65 GB
1920*1040
English
R
English
23.976 fps
2hr 4 min
P/S 5 / 30

Movie Reviews

Reviewed by ccthemovieman-1 9 / 10

Winslet Impressive In This Two-Movies-In-One Story

Kate Winslet is just outstanding in this very interesting film that is almost two stories-in-one. The first part is a sexual story of an older woman having affairs with a teenage boy and the second part is her war crimes tale and what happens afterward. The first is a somewhat happy jaunt of a short story and the second is a very serious and depressing story. That's where Winslet really shines. Obviously, she's developed into an an outstanding actress.

The second part is what most people, I assume, will remember about this film. Can "Hanna Schmitz," a Nazi employee (so to speak), who was part of concentration camps, be a sympathetic character? To me, that's what it looked like that's the question the story was asking. The answer may have come in the final minutes of the movie when her ex-lover "Michael Berg," now grown up and played by Ralph Fiennes, confronts a survivor of the camp. That, too, was very intense and interesting scene. Lena Olin is riveting as "Rose/Illana Mather."

"The Reader" was full of quiet, but intense scenes. This is a very thought-provoking film, especially for one that doesn't start off that way but look almost like some soft-porn flick to get our attention. It is anything but that.

For Germans, this film must bring out many emotions and thoughts. Guilt and forgiveness are just two of the issues that are dealt with in this unique film. "Hanna Schmitz" turns out to be an incredibly simple-yet-complex person, unlike any I've encountered on film in a long time. You see her in all kinds of light, both good and bad.

Kudos, too, to David Kross' acting as the young Michael Berg. It must be strange for someone his age (barely turned 18) to do the scenes he did with 30-something Winslet.

Overall, a very different and excellent film that stays with you and makes you ponder its main characters.

Reviewed by The_Film_Addict 9 / 10

The Reader is a brilliant, sexually charged, and oddly heartbreaking tale about the complexity of human morality and the lifelong repercussions that result from our actions.

There's an urgency in human nature to understand. When it comes to the Holocaust, history's bleak, unsettling period, it doesn't matter what book you've read, film you've seen or account you've heard; in the end, your response it halted by its incomprehensible conclusion. How could humanity course its way towards such a violent, destructive path? How could people knowingly send men, women, and children to their impending doom? Most puzzling, how could the world allow it? Even though its been 63 years since the blood-drenched annals of World War II, its aftermath today is still bone chilling.

After a six year celluloid dry spell, Stephen Daldry returns to the director's chair in a brilliant, sexually charged, and oddly heartbreaking tale about the complexity of human morality and the lifelong repercussions that result from our actions. Adapted from Bernhard Schlink's best-selling German novel, "The Reader," Daldry's visual translation is a powerful, emotionally absorbing film that is one of the year's best. It's superbly crafted.

With World War II over, Germany, in 1958, is still recovering. Deep within Heidelberg, Germany, Michael (David Kross), a young pubescent teenager haven fallen ill, is comforted by Hanna (Kate Winslet), a hard working woman who is twice his age. Taken by her generosity, Michael revisits Hanna to offer his gratitude. What begins as an awkward reunion escalates into a seductive, forbidden affair that intensifies when Michael begins reading to the distant, empty Hanna, who is deeply awakened by Michael's spoken literature. Too young to understand love's complicated implications, Michael is emotionally devastated when Hanna suddenly disappears. Nearly a decade later, unable to forget his passionate summer while studying law, he attends a Nazi trail, and to his dismay, hears Hanna's distant voice.

"The Reader" is a complex film; maybe a little too complex for some. Though the film pertains to Nazism and the "sins of our fathers," in essence, "The Reader" is a film that reflects the emotions inside all of us. During a lecture, Michael's professor comments, "Societies like to think they operate on morality but they don't." In this cynical age, how far from reality is that statement? During Hanna's trial, she's questioned why she participated in the Nazi party's horrendous war crimes, broken she replies, "It was my job." Oddly enough, that seems to be the justification most people use. Surprisingly, though, "The Reader" isn't about her exposure as a war criminal, but an exposure on an individual who took the wrong path. She's not a bad person; she's simply made wrong choices. However, when it comes to having involvement in the Nazi's liquidation of the Jews, how "wrong" can you get? "You ask us to think like lawyers," cries on student, "what are we trying to do?" A distraught Michael replies, "We are trying to understand!" But, just who exactly is trying to grasp a deeper understanding: the court or Michael? How can Hanna's past be forgiven? Director Stephen Daldry brings the much needed emotional layer that a character such as Hanna Schmitz desperately needs. Although her actions are beyond unforgivable, strangely, we sympathize with her. Maybe it's her other shameful secret. Maybe it's superb character development.

"The Reader" is a film that is driven by it's raw performances. In one of her finest hours, Kate Winslet gives the performance of a lifetime. It's a haunting and heart-breaking. David Kross, who's only 18, is impressive as the teenager with raging hormones; it's such a daring performance. Winselt and Kross bring this picture together. Their performances are jaw-droppingly brilliant. Completing the role of Michael, as the tortured grown man, is Ralph Fiennes, who balances Michael's despair through his melancholic emotion when he encounters a grown Jewish woman, played by Lena Olin, who was also at Hanna's trail. Although her scenes clock in less than 10 minutes, Olin, too, is breathtaking.

When "The Reader's" credits rolled, I sat quietly shaken by what I had witnessed. It's a film that is impossible to forget. When a grown Michael asks Hanna, "Have you spent much time thinking about the past?" Heartbroken, she replies, "It doesn't matter what I think. It doesn't matter what I feel. The dead are still dead." She's right.

Reviewed by alexkolokotronis 10 / 10

About As Unbiased and Objective As Any Form Of A Medium Can Get

The Reader is one of my favorite movies from the year 2008. It is incredibly complex in the way you react to the characters of the movie. It carries many emotions from sensuality to anger all the way back to that of sympathy and resolution. Many moves advertise themselves as unbiased and fair but nothing gets close to that like The Reader which is able to build sympathy for a character you would never think you could feel towards.

The acting in the movie was phenomenal. Especially that of Kate Winslet who draws out many emotions from whoever is watching. She plays an ex-Nazi guard who has an affair with a 16 year old boy played very well by David Kross. Her bitter, cold attitude, random behavior as well as her past history seems unjustifiable and deplorable. Yet you can do nothing more than feel empathy and compassion towards the shame and humiliation she feels about her one well kept secret. In the course of her affair she ask for one thing, to be read to. From this do you see the humanity within her. Ralph Fiennes also gave quite a nice performance as an older Michael Berg who looks back on his life and then later finds a way to open himself up through his time of self reflection and sudden realizations towards life. David Kross plays the younger Michael Berg whose performance was undoubtedly a very good one, maintaining his presence in not letting himself being totally overshadowed. Overall the performances are very deep and will keep you thinking long after you have seen the movie.

The directing and writing also was very key to the emotions felt in this movie. Every scene had to be done precisely and consistently to feel genuinely touched rather than feeling falsely drawn in. Stephen Daldry did that under his great subtle direction. The writing by David Hare allowed actors such as Ralph Fiennes, David Kross and of course Kate Winslet to give such stunning and deep performances and take the film to another level.

I found this movie to be very compelling in many ways. The emotions felt here were not cheap gimmicks but that of feeling true sympathy and forgiveness towards what we would normally describe as something wrong, shameful and reprehensible. I can't remember another film that made me feel these emotions for a character especially after learning one startling secret after another. This film succeeded in ways that almost movie would likely fail in, it did not come off as generous or light but as remarkably fair as a film or any type of medium can get shedding light on both sides of the spectrum. This is a film that is amazingly thought provoking and will bring out the humanity within all of us and should not be missed.

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