The Taking of Pelham 1 2 3

2009

Action / Crime

88
Rotten Tomatoes Critics - Rotten 51%
Rotten Tomatoes Audience - Spilled 52%
IMDb Rating 6.4

Synopsis


Uploaded By: Bokutox
Downloaded 45,714 times
July 12, 2012 at 10:02 pm

Director

Cast

Denzel Washington as Walter Garber
John Travolta as Ryder
Luis Guzman as Phil Ramos
Victor Gojcaj as Bashkim
720p 1080p
651.09 MB
1280*528
English
R
English
23.976 fps
1hr 46 min
P/S 10 / 17
1.45 GB
1920*800
English
R
English
23.976 fps
1hr 46 min
P/S 7 / 13

Movie Reviews

Reviewed by Dan Franzen (dfranzen70) 7 / 10

Washington offsets Travolta, producing entertainment

I was surprised to find this remake of the 1974 thriller was actually pretty good. I thought that, because it was a remake by an explosion-happy director (Tony Scott) and starred ultraham John Travolta, it couldn't possibly be all that interesting. Maybe a mild diversion, but those are a dime a dozen during the summer. But hey, big shock! It's actually pretty tense, with just enough twistiness to fascinate without seeming implausible.

Of course, the biggest reason the movie succeeds is Denzel Washington. Washington plays a disgraced (investigation pending) transit executive who's currently slumming as the control chief. On his shift, naturally, a 1:23 train out of Pelham (New York City) suddenly stops in the middle of its run, and a hijacker demands $10 million to be delivered in exactly one hour, or passengers start dying unnaturally.

What makes this a little more than your typical cat-and-mouse game is the undercurrent of what's gotten Washington character into hot water, as well as Travolta's character's actual motives. After all, he's just grabbed a subway full of hostages, but obviously he can't just ride the car to Cuba, or something. He has to have an escape plan.

Washington and Travolta play off each other very nicely, with Washington's flawless portrayal of a flawed man far more convincing than Travolta's garden-variety unhinged wacko. Essentially, Washington was good enough to counterbalance Travolta's overacting. (Is he crazy, or is he just cleverly acting crazy? Who cares?) Washington's Walter Garber is unsure of himself, an actual Everyman thrust into a madman's master plan. It's roles like these that separate Washington from people like, say, Tom Cruise, guys who can play really only one character, the Man Who Knows Everything. Walter Garber not only isn't a "seize the day" kind of person, he shies away from confrontations he knows he can't win.

Also worth noting are John Turturro (as a hostage negotiator displaced by Washington, since Travolta won't talk to anyone else) and James Gandolfini (as Hizzoner, finally playing a mayor who's not a complete nitwit). Gone is the whimsical naming convention from the first, in which Robert Shaw named his comrades after colors, which was swiped by Quentin Tarantino for Reservoir Dogs. There are some changes from the original, true, but they don't seem contrived; for example, Walter Matthau was a transit cop in the 1974 version, not some under-investigation suit.

The action is tense throughout, especially since you assume that the hijackers are going to have to murder someone at some point (otherwise, why have a deadline?) Somehow, the movie manages to be gripping and realistic without being over the top. There are some minor bouts of nonsense (did we really need to know that Garber needed to bring home a gallon of milk?), and maybe in the final 20 minutes or so it's a little by the numbers in its approach to action, but overall it's not bad at all. It's certainly a lot better than I'd expect a John Travolta movie to be, but maybe that's because he's the bad guy here, and they're practically expected to be over the top.

Reviewed by Special-K88 5 / 10

two solid leads but the results are underwhelming

It started like any ordinary day; that's likely what N.Y.C. subway dispatcher Walter Garber, an employee of questionable character, was thinking when he got up and went to work in the morning. Little did he know that he'd become the confidant and "stand-in" hostage negotiator for a prickly criminal mastermind who takes over the Pelham subway train and demands money in exchange for the lives of its passengers. Hearing the names Washington, Travolta, and Scott creates a lot of anticipation, but unfortunately what wants to be a slick combination of suspense thriller and character study instead results in a ponderous film with a weak setup, predictable plot twists, shallow characters, and little tension. It's easy to watch with actors of Washington and Travolta's caliber at work, but Scott's direction is pretentious and throws out some obligatory action scenes that seem to exist for the sole purpose of padding the time on the way to an expected climax. The leads do what they can with the strained material but really deserve better. **

Reviewed by David Ferguson (fergusontx@gmail.com) 4 / 10

Check Me

Greetings again from the darkness. For some reason, I keep thinking director Tony Scott will re-capture his magic of "Crimson Tide". Instead, he thrives on being the center of attention, rather than letting the story and characters unfold on screen. How he mangles the great cat-and-mouse game of the original "Taking of Pelham One Two Three" is pure torture to watch.

In the original Walter Matthau and the icy cold Robert Shaw were brilliant. Here Travolta is way over-the-top with all his "MF'ers". Denzel, for all his greatness, is simply miscast as the nice, working class hero. In the original, NYC shots were gritty and real ... here they are Tony Scott disco complete with flying cars. Since when does a car collision send one of the vehicles soaring and somersaulting? And why does a skilled motorcycle cop ram right into a parked vehicle? Just a ridiculous action sequence.

Also in the original, Martin Balsam, Hector Elizondo and Earl Hindman (Wilson from Home Improvement) were Shaw's team and each had their own personality. Here Luis Guzman is given little to do and I couldn't pick the other two out of a line-up after just watching the film! John Tuturro and James Gandolfini are the only others with much to say. Gandolfini is a nice combo of Giuliani and Bloomberg, and provides at least a touch of humor. The story is expanded from a pure heist film to a bit of distorted revenge by Travolta, a disgraced Wall Street stud.

Just not much good to say about this one since I don't believe it stands on its own and it certainly can't hold a candle to the original.

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