The Taking of Pelham 1 2 3

2009

Action / Crime

87
Rotten Tomatoes Critics - Rotten 51%
Rotten Tomatoes Audience - Spilled 52%
IMDb Rating 6.4

Synopsis


Uploaded By: Bokutox
Downloaded 45,036 times
July 12, 2012 at 10:02 pm

Director

Cast

Denzel Washington as Walter Garber
John Travolta as Ryder
Luis Guzman as Phil Ramos
Victor Gojcaj as Bashkim
720p 1080p
651.09 MB
1280*528
English
R
English
23.976 fps
1hr 46 min
P/S 9 / 10
1.45 GB
1920*800
English
R
English
23.976 fps
1hr 46 min
P/S 5 / 14

Movie Reviews

Reviewed by Dan Franzen (dfranzen70) 7 / 10

Washington offsets Travolta, producing entertainment

I was surprised to find this remake of the 1974 thriller was actually pretty good. I thought that, because it was a remake by an explosion-happy director (Tony Scott) and starred ultraham John Travolta, it couldn't possibly be all that interesting. Maybe a mild diversion, but those are a dime a dozen during the summer. But hey, big shock! It's actually pretty tense, with just enough twistiness to fascinate without seeming implausible.

Of course, the biggest reason the movie succeeds is Denzel Washington. Washington plays a disgraced (investigation pending) transit executive who's currently slumming as the control chief. On his shift, naturally, a 1:23 train out of Pelham (New York City) suddenly stops in the middle of its run, and a hijacker demands $10 million to be delivered in exactly one hour, or passengers start dying unnaturally.

What makes this a little more than your typical cat-and-mouse game is the undercurrent of what's gotten Washington character into hot water, as well as Travolta's character's actual motives. After all, he's just grabbed a subway full of hostages, but obviously he can't just ride the car to Cuba, or something. He has to have an escape plan.

Washington and Travolta play off each other very nicely, with Washington's flawless portrayal of a flawed man far more convincing than Travolta's garden-variety unhinged wacko. Essentially, Washington was good enough to counterbalance Travolta's overacting. (Is he crazy, or is he just cleverly acting crazy? Who cares?) Washington's Walter Garber is unsure of himself, an actual Everyman thrust into a madman's master plan. It's roles like these that separate Washington from people like, say, Tom Cruise, guys who can play really only one character, the Man Who Knows Everything. Walter Garber not only isn't a "seize the day" kind of person, he shies away from confrontations he knows he can't win.

Also worth noting are John Turturro (as a hostage negotiator displaced by Washington, since Travolta won't talk to anyone else) and James Gandolfini (as Hizzoner, finally playing a mayor who's not a complete nitwit). Gone is the whimsical naming convention from the first, in which Robert Shaw named his comrades after colors, which was swiped by Quentin Tarantino for Reservoir Dogs. There are some changes from the original, true, but they don't seem contrived; for example, Walter Matthau was a transit cop in the 1974 version, not some under-investigation suit.

The action is tense throughout, especially since you assume that the hijackers are going to have to murder someone at some point (otherwise, why have a deadline?) Somehow, the movie manages to be gripping and realistic without being over the top. There are some minor bouts of nonsense (did we really need to know that Garber needed to bring home a gallon of milk?), and maybe in the final 20 minutes or so it's a little by the numbers in its approach to action, but overall it's not bad at all. It's certainly a lot better than I'd expect a John Travolta movie to be, but maybe that's because he's the bad guy here, and they're practically expected to be over the top.

Reviewed by David Ferguson (fergusontx@gmail.com) 4 / 10

Check Me

Greetings again from the darkness. For some reason, I keep thinking director Tony Scott will re-capture his magic of "Crimson Tide". Instead, he thrives on being the center of attention, rather than letting the story and characters unfold on screen. How he mangles the great cat-and-mouse game of the original "Taking of Pelham One Two Three" is pure torture to watch.

In the original Walter Matthau and the icy cold Robert Shaw were brilliant. Here Travolta is way over-the-top with all his "MF'ers". Denzel, for all his greatness, is simply miscast as the nice, working class hero. In the original, NYC shots were gritty and real ... here they are Tony Scott disco complete with flying cars. Since when does a car collision send one of the vehicles soaring and somersaulting? And why does a skilled motorcycle cop ram right into a parked vehicle? Just a ridiculous action sequence.

Also in the original, Martin Balsam, Hector Elizondo and Earl Hindman (Wilson from Home Improvement) were Shaw's team and each had their own personality. Here Luis Guzman is given little to do and I couldn't pick the other two out of a line-up after just watching the film! John Tuturro and James Gandolfini are the only others with much to say. Gandolfini is a nice combo of Giuliani and Bloomberg, and provides at least a touch of humor. The story is expanded from a pure heist film to a bit of distorted revenge by Travolta, a disgraced Wall Street stud.

Just not much good to say about this one since I don't believe it stands on its own and it certainly can't hold a candle to the original.

Reviewed by pacdm 6 / 10

Decent entertainment, but doesn't hold a candle to the original

I went to the this most recent remake of Pelham 1-2-3 (most don't even recall the made-for-TV version filmed in Toronto - with good reason) with an open mind. I was weened on Godey's book when 8, and saw the original film when it was released a few years later. I've committed practically every line and scene to memory. I'll admit.... I'm biased. I felt the original could not be successfully remade... the gritty feel, the outstanding David Shire soundtrack, the believable performances of the ensemble cast..... and I was right. I did not go into the theater hoping to hate the remake, but instead to like it. I REALLY wanted to like it. I have always enjoyed both Denzel Washington and John Travolta in their various endeavors and thought the chemistry might work fine here. While entertaining, it became almost tiresome after a while. I felt no tension, no "edge of the seat" sensation that the original brought, I found myself disliking most of the characters and really not caring what happened to them. It passed the time, had some thrills, but that was about it for me.

The '09 version is entertaining, with some excellent action scenes and more than a few decent dialog exchanges between characters, but it is nothing more than a Tony Scott action movie dressed up as "The Taking of Pelham 1-2-3". While starting off liking Washington's character (now disgraced MTA administrator-turned dispatcher Walter Garber, as opposed to Detective Zachary Garber in the book and original screen incarnation), I found, as the movie progressed, that he went from believable to just another two-dimensional action movie hero who, if he was what as he really started out as being, would not have ended up doing what he did in the film. Sorry, no spoilers here gang. You'll have to go judge for yourselves.

Travolta was dynamic, putting in a great performance, but I found his manic characterization not befitting as the supposed master-mind of the criminal plot involved. Remarkably, there were three other hijackers in the movie. I don't know why Scott even bothered including them. They were not only ineffectual characters with lackluster performances, but totally lacked the dynamic presence and interplay between the hijackers of the original film so much so that you barely even noticed them - or cared. Oh well, I guess it would not have been practical with only one hijacker....

The dizzy camera-work and stylized production were tedious at times and distracting. The soundtrack was, IMHO pure garbage.

Like I said, I found it entertaining, but despite some opinions that the "updated" and "freshened" plot was exhilarating and an improvement on the '74 incarnation, I honestly don't think the Matthau/Shaw/Balsam version need worry about being eclipsed by this remake. Go see it though, as it is fun summer fare and if you have no ties to the original, you'll probably find it relevant. Afterward, do yourself a favor and rent the original. You'll see the way the story was meant to be done.

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