The Transporter

2002

Action / Crime

Synopsis


Uploaded By: hillelitz
Downloaded 124,224 times
August 6, 2012 at 6:40 am

Cast

Jason Statham as Frank Martin
Qi Shu as Lai
Matt Schulze as Wall Street
Francois Berleand as Inspector Tarconi
720p 1080p
550.24 MB
1280*544
English
PG-13
English
23.976 fps
1hr 32 min
P/S 13 / 50
1.20 GB
1920*816
English
PG-13
English
23.976 fps
1hr 32 min
P/S 30 / 130

Movie Reviews

Reviewed by Benjamin Cox 7 / 10

Enjoyable action-by-numbers film - 77%

Having just finished working with a French girl at work, our conversations about movies (and in particular, Luc Besson) are also at an end. You see, Besson is my favourite French producer of movies - whether he's writing or directing. But my former colleague disagrees. She feels that Besson has neglected his Gallic origins and now spends his time coming up with ever-more commercial movies that appeal more to American audiences than French. Having recently raved about the Besson-scripted "Taxi" (and not the dumb-ass Yankie remake), I can see her point of view and further evidence is provided courtesy of "The Transporter" which is a no-nonsense action thriller with the East End's finest Jason Statham. And before that description sends you fleeing for your lives, let me explain why you should watch this movie.

Statham plays Frank Martin, an ex-military type living in the south of France. He has a very nice BMW and a shady past he wants to escape. He also has a courier's job of questionable legality. For a suitable fee, he will take any goods to anywhere and no questions asked. He's the best there is which is why local hoodlum Wall Street (Matt Schulze) hires Frank to pick up a bag and deliver it to him. But the bag contains a beautiful Chinese girl (Qi Shu) and soon, Frank finds his conscience again and decides to intervene. Which soon lands him in a whole heap of trouble...

Having only seen Statham in the fabulous "Lock, Stock And Two Smoking Barrels" and the somewhat less-than-great "Italian Job" remake, this film provides a fierce contrast. Statham smacks, kicks and punches his way through the goons like a meatier Jackie Chan and it is impressive. The action is well-staged if slightly OTT and the same can be said for the driving scenes, as every action film these days needs a car chase in France. "Ronin", "Bourne Identity", "Taxi" and now this - where will it end? And although Statham's action man persona is alive and well, his acting ability here is compromised. He's saddled with a strange accent, trying to sound American through that thick London accent and it doesn't work. Qi Shu doesn't really have that much to do besides getting kidnapped and being the love interest and nobody else is as good as Statham. Also, I didn't like the CGI bullets flying everywhere - made the baddies look like they were shooting laser pistols. Still, the scenery looks nice.

But despite it's old-skool approach and dodgy acting, this is still an enjoyable romp through the sunnier parts of southern France. The pace is electric and rarely does the action let up throughout the course of the film. The people-smuggling story doesn't get in the way too much and Statham surprisingly holds the film together as the crook with a heart. It is typical Besson - lots of mindless action and violence and made very much with a young male audience in mind. It's disposable and basic but assuming you fit the audience profile, you'll love it. What it does, it does very well but anyone looking for an intelligent action film should look elsewhere. And I feel that they could have picked a better name than "The Transporter". Makes the film sound like it's set on a ferry...

Reviewed by Rooster99 9 / 10

An excellent action movie!


All action movies should strive to be this imaginative! OK, the plot was not particularly intriguing, but what action movie's actually is? But the plot was secondary to the action, it only served to make the bad guys bad and the good guys good. The rest was up to Jason Statham's considerable fighting talents.

There were some unbelievable yet jaw-dropping stunts, a terrific fight scene in oil, and some great car chase scenes. There were no smarmy one-liners making light of good action sequences as is too often the case in American-directed action flicks. The hero was cold, yet compassionate. He didn't kill unnecessarily, but when he had to, he was ruthless. There are many great action sequences, some so unbelievable you have to just shake your head and remember that action movies are not supposed to be based on reality. There is even a great shot of the hero jumping off a speeding semi while it races over a bridge onto the back of a bus going perpendicular to the truck under the bridge!! I mean, come on! It would never happen, but I have to give credit to the stunt coordinator who imagined the possibilities.

There is another hilarious scene where the hero chases down an airplane on foot, hijacks it, jumps out of the plane at great altitude in order to land on the back of a speeding transport with a conveniently located borrowed parachute! I am glad all crop dusters carry such indispensable equipment and that it is so easy to land on the back of a truck speeding down the highway at 130 KM/hour.

All in all, 90 minutes of sheer enjoyment. Even with the predictable ending, I have to highly recommend this movie. If you can suspend belief for a little while, you will be rewarded.

Reviewed by Roland E. Zwick (magneteach@aol.com) 5 / 10

colorful action picture


`The Transporter' is pretty good for what it is - a sleek, slick, high-octane action thriller that couldn't possibly expect us to believe anything we are seeing on screen and, quite frankly, doesn't care that we don't. That attitude is probably all for the best in this case, since it allows the filmmakers to devise elaborate action and stunt sequences without having to pay the slightest heed to that fantasy killjoy known as `credibility.'

Jason Statham literally drips attitude as The Transporter, a stolid, nattily dressed former military man who spends his time delivering packages (no questions asked) all over the French Mediterranean for what turn out to be some pretty shady criminal clients. One day he discovers that the `package' he is to deliver happens to be a human being - a pretty young Chinese girl named Lai Kwan who has been dropped, bound and gagged, into the trunk of the sporty car on which he lavishes most, if not all, of the love and caring he has to offer. Yet, Frank turns out, despite his initial air of callous and self-serving indifference, to be a criminal-type with a heart of gold, and he is soon helping Ms. Kwan foil an attempt by her nefarious father to sell a crate load of Chinese immigrants into slavery. However, the plot is the least of the matter when it comes to a movie like `The Transporter.' This film is far more concerned with attitude and style than it is with its storyline, which exists merely as a vehicle on which to hang all the explosions, car chases and kickboxing fight scenes that have become the stock-in-trade for modern action pictures. The movie is well directed, well edited and quite beautifully photographed by cinematographer Pierre Morel, who gives the film's French Riviera setting a bright, sparkling sheen. In fact, Morel's camerawork here is some of the best I have seen in a film in a very long time.

In addition to Statham, who makes for a very `cool' action film hero, Francois Berleand turns in a wonderful performance as a shrewd, wisecracking police inspector who knows that Frank is up to something but who has enough faith in his own instincts to at least give the man the benefit of the doubt. Qi Shu is cute and charming as the uninvited and unwelcome `complication' that steps into Frank's smooth-running, well-ordered life.

`The Transporter' is the cinematic equivalent of junk fast food - not high in nutritional value, but quickly consumed and satisfying when you don't have the time or inclination for something more demanding. Like its cool-under-pressure protagonist, the film delivers the goods.

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