Ultraviolet

2006

Action / Sci-Fi

Synopsis


Uploaded By: YIFY
Downloaded 57,738 times
June 23, 2012 at 1:20 am

Director

Cast

Milla Jovovich as Violet Song Jat Shariff
Nick Chinlund as Ferdinand Daxus
720p 1080p
600.25 MB
1280*688
English
PG-13
English
23.976 fps
1hr 34 min
P/S 5 / 28
1.30 GB
1920*1040
English
PG-13
English
23.976 fps
1hr 34 min
P/S 11 / 25

Movie Reviews

Reviewed by Lithigin 3 / 10

Hot body, not much else going on

Ultraviolet was embarrassingly terrible on so many levels. My husband and I usually really dig the comic book and action movies, so I think that our expectations were reasonable for the genre. The kinds of movies that Ultraviolet tried to channel were X-Men, The Matrix and Underworld. Unfortunately, this movie failed to do so.

1) Dialogue was laughably bad. One of Milla's lines was actually "Because these beautiful moments turn evil when they're over." What?? This was regarding a romantic pass made at her. Totally incongruous with the setting. 2) Excessive use of CGI is a personal irritant. Additionally, the motorcycle chase scenes were only one step above TRON. I might as well have been watching my 11 year old neighbors play some video game. 3) Zero character development. I didn't care about Violet, the french guy, the scientist guy, the pretty boy, or the evil nose filter guy. I didn't care about their individual goals (mainly because they weren't very clear). I didn't care about characters dying, and I didn't care about the revelation at the end; the only indicator that I had that it was important was her somewhat awed reaction.

To be fair, Milla Jovovich has an incredible face and body and is well-suited for fight scenes. If all-CGI, all-the-time is your thing, then you'll be thrilled with the loads of glossed-over fight scenes involving Milla and hordes of green screen baddies. If you're like our entire theater, you're bored. Really, fake fights just don't impress me.

Reviewed by Steph-3 1 / 10

Like a German techno video with badly translated Japanese one-liners for dialogue... only less coherent.

I had hopes for this movie based on the trailer, but it turned out to be one of the worst I've ever seen.

The special effects range from mediocre to kinda cool, but the plot is too sketchy and absurd to justify their existence. Milla Jovovich's hair and jacket change colors for no discernible reason throughout the film. I think the pretty colors are supposed to distract us from the incoherent script, but it doesn't work. The Sky Captain-style post-processing just makes everything look blurry. (And why is it applied to only half the shots?) Just about everything in this movie is borrowed from something else, and it's slapped together on the thinnest of premises and tarted up with lots of CGI. When there's a break from the ridiculously-choreographed action sequences, the audience is bludgeoned with nonsensical subplots and indescribably awful dialogue. By the time the heroine met the villain in their final showdown, the audience in my theater was laughing out loud.

If you appreciate Milla Jovovich's body, it might be possible to enjoy this film by renting the DVD and watching it with the sound off and your techno MP3 collection blaring in the background while you do something productive, like picking the gunk out from beneath your toenails. Or you could spare yourself the pain and just get The Fifth Element instead.

Reviewed by burpingcat 8 / 10

Great imagination and visual style, but unjustly compared to bigger movies

The worst part about Ultraviolet is that it has THREE genres of movies to compete with. People will compare it to the blockbusters of Sci-Fi movies, Martial Arts movies, and Heroine movies. It will have a tough time trying to stand out when people will inevitably compare it to HUGE movies like Crouching Tiger, The Matrix, Kill Bill, Underworld, etc.

Let's remember that Ultraviolet had a relatively small budget, and yet it did quite a bit with it. With all that said, let me say a few words, good and bad ones, on Ultraviolet.

Yes, the story in Ultraviolet is its weakest point. The problem is in the lack of emotional attachment to the characters, the odd choice and delivery of lines (although you can't deny how great the "It is on." line is), and the strange dream-like stuff it goes into at times.

A lot of the themes in this movie are very fleeting, maybe because they've just been done so often, they need no emphasis. There's one particular story element that you might miss ENTIRELY if you didn't pay attention during one shot. That's how little emphasis there is on story in this movie. The plot is also a little hard to follow at times because it jumps around.

It's strange to see so little emphasis on the story when we know from Equilibrium that Kurt Wimmer is very capable of writing a good story. It makes me wonder if the lack of story was intentional or not, but the unfortunate bottom line is that it hurts this movie.

So what saves this movie? Why 8 out of 10? If we were interested in movies only for their story, we wouldn't be interested in movies at all...we would all read books instead.

Yes, a movie is defined as picture and sound. In that case, Ultraviolet is quite an amazingly interesting picture and sound.

Ultraviolet sacrifices story for a very visceral picture and oodles of style. I haven't seen a movie that looks this COOL in a long time. It really reminds me of the type of style that 60's sci-fi movies were going for- very robust in color and costumes, but modernized and expanded for our time. It's certainly a very nice departure from the typical and BORING space station/stainless steel/green look of modern sci-fi.

The action is kick-ass, applause-worthy at times...although I'll admit that I've seen a bit better from similarly-budgeted movies ("Versus" comes to mind). They could've had some more variety to it (like maybe some better/badder foes), but considering who and what they were working with, I think they did a good job.

Another big strength of the movie is the very cool concepts. Color-changing outfits, gravity belts, disposable paper cellphones, crazy ninjas that drop out of planes like giant pinballs, and entire weapon arsenals stored in wrist devices. All of it with designer-quality fashion to it. You can tell where the budget went in this movie. Like I said, it's an older, weirder, more stylish sense of sci-fi that you don't see very often these days. In fact, a lot of this movie can be defined as set-pieces more so than a single flowing experience.

True, their ability to execute some of these ideas (specifically, the motorcycle chase) is limited by their budget. I think it can be overlooked, though. Some rough edges on CG never hurt anybody...anybody that wants to whine about the graphics really doesn't want to appreciate the movie for what it is.

Overall, I enjoyed this movie, more so for its visuals, music, concepts and set-pieces than for its story or characters. It's really quite interesting to look at. There are more moments in this movie that make me think 'awesome!' than in all of The Matrix trilogy. If this movie isn't a success, then I hope it at least inspires the movie that does get this particular formula just right.

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