War Horse


Drama / War

Rotten Tomatoes Critics - Certified Fresh 77%
Rotten Tomatoes Audience - Upright 74%
IMDb Rating 7.2


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Downloaded 101,110 times
March 15, 2012 at 1:02 pm


Jeremy Irvine as Albert Narracott
Emily Watson as Rose Narracott
David Thewlis as Lyons
Benedict Cumberbatch as Maj. Jamie Stewart
903.58 MB
23.976 fps
2hr 26 min
P/S 21 / 66

Movie Reviews

Reviewed by Grey Gardens 10 / 10

A Stunning and Enthralling Epic

Steven Spielberg has assembled many fantastic movies, like Schindler's List, Jaws, E.T, Saving Private Ryan, etc. His new creation, War Horse is a stunning achievement. The film was professionally made, it looked amazing, sounded great. Legendary composer, John Williams crafted an amazing and beautiful score. It was one of the best, I've heard in years.

Jeremy Irvine delivers a very heartfelt and convincing performance, he's just great. The rest of the cast, Emily Watson, Peter Mullan, David Thewlis, Tom Hiddleston, etc were all great, as well. However the star of the film, The Horse was simply amazing, the facial expressions were all spot on. Its just great, how you see the movie, from a horse perspective. Steven Spielberg deserves a lot of praise for that, and I hoper he gets it.

The cinematography is as good as it gets, its simply astounding. The film's cinematographer, Janusz Kaminski deserves all the praise he gets, an Oscar surely awaits him. The movie deserves all the technical praise, it gets. The editing is well done, the art direction is spectacular, the look of the film is quite breathtaking, at times.

The film is uncompromisingly sentimental, and I wasn't annoyed by it. Because it worked so well, it made me care about the story, the characters, the horses. A good old fashion studio epic, I miss them and I'm happy Spielberg delivered one. There are a lot of powerful scenes in the movie, from which I cried. It was just so moving, it showed the true consequences of war. Some of the battle sequences were simply fantastic and astonishing.

I am happy to see, Steven Spielberg in his top form. He showed, that he's still one of the best in the business and I hope to see more of him in the future. It may not be his best film, but it certainly a wonderful film to watch. I'd recommend anyone to see the film, it will appeal to everyone.

Reviewed by The Upcoming 8 / 10

With War Horse the usual bloodbath and gory murder scenes are ditched in favour of a genuine story that manages to provoke passion and deep emotion in the audience

When it was announced that Steven Spielberg was directing a film adaptation of War Horse, fans across the UK were a little apprehensive.

After all, the stage play and book were massive hits, so the film would have a lot to live up to. Early reviews are now saying that this film will be in the running for major Academy Awards — a statement that seems accurate after watching the film.

Based on the book by Michael Morpurgo, War Horsedepicts the story of Albert Narracott, played by Jeremy Irvine, and his treasured horse Joey in Britain where World War I is about to begin. Joey is sold to the cavalry by Albert's alcoholic father and finds himself trapped in the devastating fields of war while Albert is trying to find him.

Spielberg finds a balance between heartfelt emotion, especially from seeing the war through Joey's eyes and the people he meets along the way, and the tragic problems the main characters face, for example the separation between Joey and Albert after we have watched them bond and connect in the first part of the film. It is those emotional contrasts that Spielberg translates onto the screen well, perhaps the best one being the contrast between the overall setting of the devastation and trauma of World War I and the love between the main character and his horse portrayed throughout the film.

Although some of the cast are newcomers to cinema, they put on a stellar performance. Jeremy Irvine perfectly portrays on screen the character's determination and devotion to find his horse. Practically unknown before this film, his performance in War Horse has now made him one to watch. The rest of the cast include Emily Watson, Peter Mullan, Tom Hiddleston, and Niels Arestrup.

War Horse is the perfect film to settle down with the family for Christmas. It is a touching, beautiful depiction of the relationship between a boy and his horse, and of life in the countryside during World War I. The usual bloodbath and gory murder scenes are ditched in favour of a genuine story that manages to provoke passion and deep emotion in the audience, and overall this fits into the beauty of the narrative.

Check more reviews from The Upcoming on http://www.theupcoming.co.uk/?cat=9

Reviewed by LilyDaleLady 2 / 10

I'm genuinely sorry I can't recommend or like this one

For the record, I'm a sappy horse lover, & I desperately wanted to like, nay love, this film but I have to give it two stars.

Based on a children's novel by Michael Morpurgo, I never heard of "War Horse" until the Broadway production. Magnificent life-size horse puppets were so eerily realistic and moving that THEY actually moved me to tears. This was before I had an inkling that Spielberg had optioned the story and was making a film of it.

Spielberg has pulled out every stop here -- the movie is shot on real film and looks it, lush and expensive. The battle scenes are detailed and exciting. There is a skillful cast of respected British actors. But it's entirely without real heart and soul.

Without the exciting puppetry (that undoubtedly drew Spielberg to the material as it did me), the only way to save this would have been some kind of thoughtful retelling of the material. And once you get past the swelling music, the golden sunsets and manipulated emotional level, frankly this feels empty. "The Black Stallion" -- from 1979 -- is a much more fantastical story, without historical precedent or realism, and yet I never watch it without sobbing like a baby, because it touches something deep and human and universal. "War Horse" simply does not. It feels like a calculated bid for an Oscar nomination.

Being released along with "TinTin" at the same Christmas slot, my impression was that the first big mistake Spielberg made was to go realistic with the story. The play worked because it is NOT realistic. Frankly, I think he should have used animation for the horse story -- made it more symbolic and expressionistic -- and filmed TinTin straight up as an "Indiana Jones"- type adventure.

I was also struck, from almost the start of the film, that Spielberg honestly knows (and cares) NOTHING about horses and that lack of genuine interest plagues the film. The first part of the film, set in an English village, has the Narracott family -- apparently the dumbest and most incompetent tenant farmers in British history -- who irrationally decide to buy a thoroughbred for plowing. Strangely, they seem not to have owned ANY horse prior to this. How did they plow the farm BEFORE Joey? Mr. Narracott spends 30 quid on Joey (I believe this would be about $150 US, as it was valued in 1914) -- that amount of money would have easily bought Joey AND some old plowhorse.

And why is Mr. Narracott about 60-65 years old, with a 14 year old son? People married young back then -- Albert is more the age of his grandchild. How on earth did the father think he'd run a good-sized farm, when he's handicapped? and has no plow horse? (Note: nobody apparently had ever heard of mules back then -- much cheaper than a thoroughbred!) Since he spends his life savings on Joey, Mr. Narracott now has NO RENT MONEY....why did he do this? He doesn't even like or WANT the horse! He has no use for such a horse! He's put his entire family in danger of going hungry and/or being evicted for a horse he dislikes. Then he gambles what's left of his future that this slightly built yearling can plow up a huge, rocky field.

Of course the horse does so, with considerable anguish and suffering -- in one day, because nobody remotely considered doing it a bit at a time. The Narracotts are so mentally challenged as a FAMILY, none of them consider FIRST going through the field and REMOVING the giant ROCKS, but prefer to make it as hard as possible for the horse. When they amazingly DO NOT KILL the horse with this abusive behavior, it then rains, washing away the entire crop (of turnips, no less). While all this happens, the village folk -- who have no work or farms of their own to run -- stand around IN THE RAIN watching! Literally, they have no more sense than to stand in the rain in their good clothes. Naturally, NOT ONE OF THEM -- all presumably village tenant farmers -- has a spare horse or mule, or even the decency to pitch in and help a CRIPPLED MAN and his 14 year old boy. Nice town. Glad I don't live there. Note: by 1914, if they had CARS, they had TRACTORS.

After this segment, there was nothing about the war scenes or Joey's unlikely survival against all odds, that moved me or made me feel anything for the characters. Jeremy Irvine, as Albert (the boy) is especially weak, and he doesn't look 14 (he also looks identical at 18, whereas we all know that boys change VERY rapidly in physique in those 4 years).

At the end, when Joey and Albert return from war....well, they apparently take a wrong turn and end up in WYOMING. Because suddenly there are western-like expanses of land, and big golden sunsets and vistas that go on forever. Frankly, it's not Devonshire, England.

Among the many subplots -- where Joey is handed along by one unbelievably kind and decent person to another, literally the nicest warring folks in history -- one set in a French farmhouse, with the world's most annoying kid with the world's lamest fake French accent, is a real low point. Later, we hear the little girl has died -- old movie disease, since she looks healthy as, well, a horse -- we just feel relief we don't have to hear her fake French accent again (I was afraid she'd resurface somewhat older, as a romantic partner for Albert).

Sorry, I can't buy one frame of this film. A big disappointment. If you do get a chance to view some of the puppetry from the theatrical play, don't miss it -- THAT is magnificent. But the film, just third rate.

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