Wish You Were Here


Drama / Mystery


Uploaded By: Gaz
Downloaded 27,470 times
September 15, 2012 at 3:40 am


Joel Edgerton as Dave Flannery
Teresa Palmer as Steph McKinney
Felicity Price as Alice Flannery
Antony Starr as Jeremy King
720p 1080p
699.85 MB
23.976 fps
1hr 29 min
P/S 3 / 8
1.40 GB
23.976 fps
1hr 29 min
P/S 0 / 0

Movie Reviews

Reviewed by Likes_Ninjas90 8 / 10

It takes us fearlessly into dark and challenging places, which is why it is so haunting and memorable

Dave (Joel Edgerton) and his wife Alice (Felicity Price) are on holidays in Cambodia with her sister Steph (Teresa Palmer) and her new boyfriend Jeremy (Antony Starr). They party together and even take a number of ecstasy tablets. We see a shot of Dave walking around, looking distressed and we suspect he's done something terrible. Returning back to their home in Sydney and it is revealed that Jeremy went missing overseas and that the others returned home before they could find him. While trying to balance their everyday lives with their kids, Dave and Alice are increasingly stressed by their attempts to help the police with the investigation and also Steph's neediness. There is deep conflict between Dave and his wife when he admits that he slept with Steph while they were on holidays. In flashback, we gradually learn about the traumatic fate of the night that Jeremy went missing.

Wish You Were Here starts as a minor thriller but descends into a compelling nightmare, powerfully concerned by social decay and the pressures of modern life. The film was written and directed by Kieran Darcy-Smith, in collaboration with Felicity Price, and confirms that Australian films are untouchable in their representation of a fractured domestic environment. The division between the domestic and the foreign is represented through the contrast of two different worlds. The scenes in Cambodia take place on beaches and in the streets at night. They're spatially open and set to loud thumping beats on the soundtrack. The night skies are faintly lit up by red lights from lanterns and fires. These scenes are organic because the environment isn't structured by rules or boundaries. Law and order is regularly defied. Relationships are broken down, elicit substances are taken and there are nastier surprises to be discovered at the back end of the film. By contrast, the present day scenes are tightly framed to reflect their highly ordered nature. They're restricted by physical boundaries made of glass and brickwork, and many of the environments like the houses, hospitals and government buildings are cold and sterile. There is a certain order to how the domestic life must be run, with the characters bound by times as they have to pick up their kids, go to work and be faithful in their relationships. There's a great high angle shot late in the film of Alice sitting in her car in the middle of a car park. The height of the shot makes the car seem like a singular capsule, caught in the middle of an urban concrete prison. It skilfully reflects how restrictive contemporary city life can be.

Prior to returning to Sydney, there is a fascinating scene where Dave wakes up almost caught between the two worlds. He appears to be in the wilderness because the area has the look of a post-apocalyptic environment, with its grey skies, muted colours, and wild dogs running on the loose. By choosing to step back into the domestic zone, the boundaries between both worlds are removed, leaving the emotional consequences for Dave's actions in Cambodia. From this point we discover that there is genuine skill in how the screenplay opts to tell the story. The film is concentrated and the pacing is leisurely. It feels much longer than its meager ninety minute running time. This is because the secrets of the narrative are exposed gradually through the present day scenes and flashbacks to the past. The payoff is thankfully a tremendously moving one. Adding further excitement and discussion to the story are the more ambiguous touches that are never explained, only hinted at, like the nature of Jeremy's business. The film is also strengthened by three powerful performances. Joel Edgerton is perhaps the best he's ever been, visibly traumatised with guilt and touches of paranoia too as he desperately tries to hold his family together. Despite its modesty, the power of this thriller comes from the naturalistic performances and the gradual layers of the story that are revealed. As with a lot of local films it takes us fearlessly into dark and challenging places, which is why it is so haunting and memorable.

Reviewed by whitesunhorse 5 / 10

No thrills here

Wish You Were Here starts with a barrage of sights and sounds, as married couple Dave and his pregnant wife Alice (Joel Edgerton and Felicity Price), Alice's younger sister Steph (Teresa Palmer) and new boyfriend Jeremy (Antony Starr) holiday in Cambodia. All too quickly Dave and Alice have returned to Sydney, and we find out that Jeremy is missing after a drug fuelled night. As Steph returns home, questions are asked and secrets revealed as the trio try to cope with what happened.

I was intrigued as to where the movie was headed, but at around the 50 minute mark I was starting to lose patience, waiting for it to get to a point. When it finally got to that point, although shocking, I almost didn't even care what had really happened. And the final moments felt rushed and glossed over.

We don't get to see nearly enough of Edgerton or Palmer, both of whom have exceptional talent. Edgerton really embraces the character of Dave who is hiding a dark secret and it's slowly tearing him apart. Palmer doesn't get the chance to shine as her character is left alone to suffer. Considering it was Steph's boyfriend who disappeared, it would have been better to see more from her point of view. Price floats through with the same bored expression as a self absorbed wife. Starr is likable and very believable, but again we don't get to see him enough.

Unfortunately director Kieran Darcy-Smith's first feature doesn't know what it wants to be, and perhaps tries to be a little too clever for it's own good. I'll admit that the stunning trailer with the hypnotic music was what captivated me and gave me high hopes for Wish You Were Here, but I also feel that the trailer gives a different impression of what the movie ends up being about. It starts out as a mystery, but about half way through Alice becomes the main character and the movie takes a left turn into a narrative about a marriage breakdown from only one person's point of view.

The locations in both Sydney and abroad have been beautifully shot. The scenes between past and present flow seamlessly. Besides the opening of the movie, the fateful holiday is shown only through minor flashbacks, which I think are the highlight.

Australian movies certainly have the ability to pull you in and not let you go. But it's frustrating when you know a movie has the potential to move you and engage you, and it fails to do so. This should have been a gripping dramatic thriller, but sadly there are no thrills to be had here.

Reviewed by Rebasguy 5 / 10

Good acting, poor story,poor film

Saw this recently on a flight from Bangkok and although it was only on the incredibly small screen, I think it was about the right size for the story. It was a very simple tale, with not too much drama and fairly predictable narrative wrapped around a very obvious dialogue. The main lead acted well and that in my mind magnified the shortcomings of the story.

There were obvious gaps in the story that the actors tried to fill with raw emotion but that didn't quite gel with me and there was the willing suspension of disbelief with regard to the final scenes that were meant to sum up so much but instead left you feeling that the tale had been dragged out somewhat.

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